Alwyn Marriage admires the depth and musicality of John Greening’s long poem about creativity and its loss
music
Don Carlo – or Don Carlos – in history was the mentally unstable son of Philip II of Spain whose brief betrothal to the woman his father later married and contacts with Protestant rebels in the Low Countries provided ammunition for the “black legend” propaganda whipped up by the opponents of his father’s rule.
Chilean singer-songwriter, poet, cult figure Violeta Parra’s most famous work “Gracias a la vida” can be viewed as an outpouring of gratitude – or as a suicide note.
This was the first time I had seen this operetta and the idea of Viennese kitsch did not excite me. Director Max Webster clearly shares my antipathy for schlock. His production is a wonderful reframing of the story from a post #MeToo perspective.
As a half French, half American individual, I give in to a pastime common to double nationals, which consists of regularly comparing both countries of origin.
Lucca, Italy, was the birthplace of Giacomo Puccini in 1858 in an apartment that is now a museum to the last and most famous of generations of Puccini maestros, restored to its Second Empire glory, down to a bed, surrounded by columns, that replicates the one in which Puccini was born.
I had the great pleasure of meeting Hugh Coltman during the Marciac Jazz festival in the South West of France at the end of July. Born in the West Country, close to Bristol, Hugh Coltman has been living in Paris since 2000.
A show that leaves the line “Are you fucking kidding me?” ringing in your ears and delivers a series of morals that include “don’t pressure other people into sex because it doesn’t work” and “don’t judge people by appearances, unless they’re really hot” could cause offence.
The evening opened with Mozart’s Clarinet Concerto in A Major K622. This is Mozart’s last finished orchestral work. Composed in 1789, it is one of the most exquisite of Mozart’s creations. Annelien Van Wauwe’s interpretation was curiously intimate and delicate.
Here we are in a small town in the Gers department in South West France. This year around 200,000 visitors are expected to descend upon the village for the Marciac Jazz festival. It sounds impossible, but it works!
This is a playful, absurdist and yet serious performance of contemporary dance set to Bach’s Goldberg Variations.
Opera and cabaret singer Melinda Hughes lost her mother in June. Two months on, she has immortalised her in a song and is finding catharsis in a satirical take on the world.
By Barbara Lewis • music, performance, theatre, year 2019 • Tags: Barbara Lewis, music, performance, theatre