Siena: The Rise of Painting 1300?1350. Review by Graham Buchan. This, quite simply, is a stunning exhibition. It asserts that the first half of the fourteenth century is when painting came into its own. It was now that painting, as an art form, first became something to be commissioned and acquired.
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Miro. Review by Barbara Lewis. For Barcelona-born Catalan artist Joan Miro, Mallorca was the land of his maternal grandmother, of his wife, and from 1956, his adoptive home. It was also a refuge and his connection with it was fundamental to his work.
Open Wound. Review by Graham Buchan. Open Wound is Lee’s response to the annual commission to make an artwork to fill Tate Modern’s massive Turbine Hall.
Poem-Object and Objective of the Poem: Lisa Kelly reflects on possible new interactions between word and material
Spain and the Hispanic World. Review by Carla Scarano. We are lucky that the Hispanic Society Museum and Library in Upper Manhattan is closed for refurbishing so that the collection that the philanthropist Archer M. Huntington accumulated in the late 19th and early 20th centuries can travel the world on loan.
Barber Institute. Review by Barbara Lewis. The Barber Institute of Fine Arts at the University of Birmingham owes its existence to Lady Martha Constance Hattie Barber. She founded the Barber Institute in 1932, and built a home for it all – a magnificent art deco building opened in 1939.
The Ingram Collection: Revisiting British Art. Review by Carla Scarano. British art is popular, and it is well known that it comes in a variety of styles. The turn of the 20th century saw more diverse and challenging artworks being produced using all kinds of materials and being presented in different ways and from different social and political angles.
The Lindisfarne Gospels at Laing Art Gallery. Review by Carla Scarano. At the renowned Laing Art Gallery in Newcastle a new and enthralling exhibition features the Lindisfarne Gospels, which are on loan from the British Library until the 3rd of December 2022.
Abundance: Atlas of Infinite Possibilities. Review by Barbara Lewis. In celebration of its two decades of promoting Polish talent, a selection of winning works and of the art later produced by some of the laureates is on display in the State Gallery of Art.
Lubaina Himid, Tate Modern. Review by Carla Scarano. Visitors to Tate Modern are invited to complete, via their presence, the artwork by Lubaina Himid that is on display. They feel encouraged to wander around and attempt to answer questions such as ‘What are monuments for?’ or ‘What does love sound like?’ that are written on walls at the beginning of each section.
Casa Balla. Review by Carla Scarano. Giacomo Balla was an Italian painter, who moved with his family to 39b, via Oslavia, near piazza Mazzini, in June 1929. Balla, his wife, Elisa, and his daughters, Luce and Elica, transformed the house into a work of art, a workshop of sorts in which he experimented with his futurist theories.
Nocturnal Journey. Review by Barbara Lewis. Detachment from time and space are the hallmarks of Hans Op de Beeck’s meticulously crafted art, which arguably make it fitting that he has never had a complete exhibition of his work in his native Belgium – until now.
By Barbara Lewis • added recently on London Grip, art, exhibitions, sculpture • Tags: art, Barbara Lewis, exhibitions, sculpture