The Mikado, Wilton’s Music Hall. Review by Barbara Lewis. In 1885, when the Mikado began delighting audiences, it was expedient to set the splendidly silly light opera in Japan to give it maximum freedom to satirise British institutions. Director Sasha Regan travels in time not space to send up a 1950s public school camping trip, in its way as exotic as imperial Japan.
comedy
As You Like It. Review by Barbara Lewis. Shakespeare famously was for all time, and yet this version of As You Like It feels uniquely relevant to our age.
Scottish stand-up comedian Daniel Sloss is a centurion by his own admission – in other words, he has slept with at least 100 women. One triggered the dark outpouring Jigsaw, which became a Netflix sensation, notorious for causing more than 300 divorces, 350 cancelled engagements and 120,000 breakups – so far.
For those suffering withdrawal symptoms, Stay at Home with Crazy Coqs is providing a thrice-weekly fix on YouTube as some of its regular artists post recordings from their homes or reissue previous Crazy Coqs performances.
Jason Kravits’ cabaret at Crazy Coqs is wildly funny. This singer-entertainer is so dynamic that I would suggest he be prescribed for those with the blues.
Any story-line involving a single woman is inherently more dramatic than a narrative of a single man because of biology’s cruel deadlines.
D A Prince applauds Keith Hutson’s poetic tributes to music hall performers
Low-tech, unforced and innocent, the Chipping Norton panto lives up to the programme note’s promise to provide “an escape from the disposable pop culture that surrounds our children”.
As You Like It. Review by Barbara Lewis. The line “ripeness is all” from Shakespeare’s tragedy of old age Lear could easily be the motto of the RSC’s latest joyful version of one of his most youthful comedies of love.
By Barbara Lewis • comedy, plays, playwrights, theatre, year 2023 • Tags: Barbara Lewis, comedy, plays, playwrights, theatre