White. Review by Carla Scarano. The exhibition at the School of Historical Dress in Lambeth is displayed in one large room on the ground floor; it features white pieces of cloth and garments and accessories from the school’s rich collection.
fashion
Africa Fashion, V&A Museum. Review by Carla Scarano. A celebration of African creativity, pride and identity covering 20 countries and 45 designers and displaying more than 250 objects is showing in the ground-breaking exhibition at the V&A.
Fashioning Masculinities: The Art of Menswear. V&A. Review by Carla Scarano. A fluidity that looks for alternative concepts of masculinity that trespasses traditional roles and expresses the possibilities of the individual is the main focus of the V&A exhibition.
Bags: Inside Out Victoria and Albert Museum Until 19 January 2022 The functional use of bags has a symbolic significance that is thoroughly explored in this V&A exhibition.
The Regency Wardrobe at Firle Place. Review by Barbara Lewis. Two centuries after the Regency period officially ended, Jane Austen adaptations and the U.S. series Bridgerton have revived passions for Empire waistlines, corsets and fetching bonnets.
Alice: Curiouser and Curiouser, Victoria and Albert Museum. Review by Carla Scarano. .”..a marvellous but unsettling journey through the origin of Alice’s stories and their adaptations and reinventions in films, art, music, fashion, photography and design.”
Kimono: Kyoto to Catwalk. Victoria and Albert Museum. Review by Carla Scarano. The complex evolution and rich cultural significance of the kimono are thoroughly explored in the exhibition at the V&A.
In more ordinary times, Simon Procter is a British fashion photographer, who has worked with Karl Lagerfeld and John Galliano.
The risk for any exhibition at Two Temple Place – a glorious late Victorian mansion at Temple, central London – is that the wood carving and stained-glass beauty of the building will steal the show.
The revolutionary attitude that Mary Quant’s iconic outfits convey strikes the viewer at the V&A retrospective exhibition. She is considered one of the most influential fashion designer of the 1960s.
Tokyo: a bridge between tradition and modernity, by Carla Scarano D’Antonio. Compared to Kyoto, Tokyo is bigger, busier and cosmopolitan. My friend Ornella and I had plenty of time by ourselves as my daughter was busy with her course at the Bunka Gakuen University where she is attending a Master in Fashion and Design.
Grayson Perry: Delusions of Grandeur. Review by Barbara Lewis. One of the joys of Grayson Perry’s exhibition is that it is he who provides the explanatory notes. A standout peg is: “An artist’s job is to bite the hand that feeds him, but not too hard”
By Barbara Lewis • art, exhibitions, fashion, painting, print, textiles, year 2025 • Tags: art, Barbara Lewis, exhibitions, fashion, print, tapestry, textiles