Macbeth. Review by Barbara Lewis. The vocation of the HandleBards touring theatre company is to share a love of Shakespeare through sheer entertainment in settings that range from the classroom to country estates on summer’s evenings. That means comic relief prevails over tragic significance even when the chosen drama is The Scottish Play.
plays
Allegra. Review by Julia Pascal. This seemingly frothy play with music is a vehicle for Dame Maureen Lipman. She plays Allegra, a woman with a pathological desire to burst into song. Allegra is motivated to brighten the mood of those around her, even at the most inappropriate moments.
Romeo and Juliet. Review by Barbara Lewis. Even in times when women are cast as Shakespeare’s Lear and Prospero, it’s a bold move to do the same with Romeo – the byword for the romantic male lover. It’s the tactic of Greenwich Theatre’s artistic director James Haddrell, who has also dared to compete for audience attention with the World Cup and heatwave weather in what is billed as fresh, summer Shakespeare.
How to Make a Mess. Review by Barbara Lewis. Not the Bible, not “Winnie the Pooh” not even Harry Potter – “How to Eat” was the book the loving father of Anna (played by Natasha Karp) gave to his daughter to learn to read and as a life manual.
Quartet in Autumn. Review by Barbara Lewis. Lonely, unloved women are the protagonists of Barbara Pym’s novels. The brave honesty of her subject matter led some publishers to reject her, although the poet Philip Larkin was famously among her advocates.
Lady Susan. Review by Barbara Lewis. “Lady Susan” is either the culmination of Jane Austen’s youthful experiments with epistolary novels and the narration of society scandals or the beginning of her mature phase of subtle characterisation and the establishment of her distinctive voice, depending on your viewpoint.
Flying Ant Day. Review by Barbara Lewis. Flying ant day – when ants live, reproduce and die – together with the human moment of death are among the less discussed topics even in the voluble world of social media. Writer Joey Ellis takes on this unlikely twinning in a play that crowds a dysfunctional family around a death bed while winged ants throng the air.
A Grain of Sand. Review by Barbara Lewis. We tell stories when reality becomes unbearable. We may also tell them to remember those who have not lived to tell the tale. Both statements pertain to the one-woman show created by Elias Matar that deftly combines fabulous Palestinian myths with the horrors experienced as children live and die through war in Gaza.
Safe Haven. Review by Barbara Lewis. “Oh enemy, the Kurdish people live on,” is how the Kurdish National Anthem defiantly begins. In the aftermath of the first Gulf War, the survival of many of them was helped by Operation Safe Haven, an initiative pushed through by then Prime Minister John Major.
Gerry & Sewell. Review by Barbara Lewis. Gerry and Sewell are two friends who have little beyond their loyalty to each other and to their team: Newcastle United. Their one dream is to have the money to buy a season ticket.
The Wanderers. Review by Julia Pascal. This is a fascinating mess of a play which engages on every level. Anna Zeigler’s conceit is literary as the narrative plays out two parallel timelines within designated chapters.
Truth to Power Café. Review by Barbara Lewis. Jeremy Goldstein is celebrating the 20th anniversary of his company London Artists Projects, whose missions include taking his “Truth to Power Café” across the world.
By Barbara Lewis • plays, theatre, year 2024 • Tags: Barbara Lewis, plays, theatre