Poetry Review – Shop TALK: Paul Tanner’s poetic accounts of life as a shop worker are vivid, uncompromising and ultimately uncomfortable
society
The Ugly Side of Beauty. Connie Woodring discusses the downside of our beauty culture as it relates to women’s physical/mental health and safety.
Social Solidarity and the Arts in Woke Times: Michael Crowley advocates against an ever-increasing subdivision of the arts into racial, age-related or gender groups for a similar audience
Michael Bartholomew-Biggs tackles a difficult read which attempts to bring home some human realities of street violence in London
During my last week in Calgary I still had to do some shopping, visit the Glenbow museum, the Zoo and Lougheed house, a villa belonging to a rich MĂ©tis family.
I visited two places out of Calgary: Head-Smashed-In Buffalo Jump and Banff, thanks to my friend Pam who drove me there and toured me around.
On 1st July, Canada Day, I was up and ready since early morning wearing a red T-shirt and red cowboy hat.
One of the main aims of visiting Canada was to develop my research on Margaret Atwood. The New Central library in Calgary, which opened in 2018, provided me with all the facilities I needed.Â
Before planning my journey to Canada, I made a list of my priorities. At the top of it was experiencing the country of the author I am studying for my PhD: Margaret Atwood.Â
East India Dock Road, site of Queen Victoria Seamen’s Rest forms part of the A13, which links Aldgate in the City of London to Shoeburyness, forty miles away on the shore of the North Sea – so, not the most obvious place to build a refuge for seafarers.
One million plastic bottles are bought every minute and most of them are not recycled. It’s a stark reality Claire Davenport and Grioghair McCord were moved to explore after a trip to a Shetland beach littered with plastic bottles.
by Michael Bartholomew-Biggs • books, politics, psychology, society, writing, year 2020 • Tags: books, politics, psychology, society, Wendy French, writing • 0 Comments
Her Other Language: Wendy French gets to grips with a bold and frank anthology addressing domestic violence