No More Normal. Review by Barbara Lewis. Consultant neuropsychiatrist Alastair Santhouse has for more than a quarter of a century worked to try to solve the diverse and complex issues of those considered to be abnormal.
society
IT ALL FELT IMPOSSIBLE: Charles Rammelkamp follows Tom McAllister’s life story as summarized in a sequence of 42 essays
A PHYSICAL EDUCATION: John Lucas considers Jonathan Taylor’s perceptive and accessible discussion of the causes and consequences of authorised cruelty in schools and beyond
Poetry review – SHAKING THE APPLE TREE: Kimberly K Williams considers an important collection of witness poems by Jane Simpson
Medieval Women. Review by Barbara Lewis. Between 1100 and 1600, Europe had 20 reigning queens. It produced numerous women who turned to religion to escape female servitude and gain influence and others who offered practical common sense to relieve the often fatal trauma of childbirth.
THE BRAILLE ENCYCLOPEDIA: Charles Rammelkamp reviews a collection of essays by Naomi Cohn which reflect on her experience of losing eyesight
THE BOOKSTORE BOOK: Charles Rammelkamp reviews a memoir in poetry and prose by Ron Kolm
Poetry review – BETWEEN CHANCE AND MERCY: Kimberly K. Williams reviews an uncompromising state-of-the-nation collection by James E. Cherry
Poetry review – REFLECTIONS IN A DIRTY MIRROR: Charles Rammelkamp surveys Tony Dawson’s somewhat bleak view of the world
Poetry review – MINDFUL: Neil Elder is shaken by John Weston’s pamphlet which is as much a social and political document as it is a sequence of poems
MIND AND MACHINE INTELLIGENCE: John Lucas finds helpful information and some degree of comfort in James Hodgson’s primer for those trying to get to grips with AI and the issues surrounding it
Storehouse. Review by Barbara Lewis. As the former CEO of the national independent TV and radio stations in Georgia, Liana Patarkatsishvili has strong views on freedom of expression and on attempts to stifle the truth.
By Barbara Lewis • performance, society, technology, theatre, year 2025 • Tags: Barbara Lewis, performance, society, technology, theatre