LAST ON HIS FEET: JACK JOHNSON AND THE BATTLE OF THE CENTURY: Charles Rammelkamp reviews a shocking and powerful graphic novel by Youssef Daoudi & Adrian Matejka
drawing
Peter Doig, The Courtauld Gallery. Review by Barbara Lewis. Peter Doig never tries to create real spaces, only painted spaces, we learn at the beginning of the Courtauld’s exhibition of some of his most recent work, including paintings created since his move from Trinidad to London in 2021.
Spain and the Hispanic World. Review by Carla Scarano. We are lucky that the Hispanic Society Museum and Library in Upper Manhattan is closed for refurbishing so that the collection that the philanthropist Archer M. Huntington accumulated in the late 19th and early 20th centuries can travel the world on loan.
Pasolini Painter. Review by Carla Scarano. Pier Paolo Pasolini’s complex personality and multifaceted creativity are displayed in full at the exhibition Pasolini Pittore at Galleria d’Arte Moderna in Rome.
Lucian Freud: New Perspectives. Review by Carla Scarano. The exhibition thoroughly explores Lucian Freud’s artistic career, displaying an extended range of paintings.
Barber Institute. Review by Barbara Lewis. The Barber Institute of Fine Arts at the University of Birmingham owes its existence to Lady Martha Constance Hattie Barber. She founded the Barber Institute in 1932, and built a home for it all – a magnificent art deco building opened in 1939.
SOMETIME, IN A CHURCHYARD: Pat Edwards finds that the past is brought to life by a combination of Louise Warren’s poetry and Charlotte Harker’s drawings
The Ingram Collection: Revisiting British Art. Review by Carla Scarano. British art is popular, and it is well known that it comes in a variety of styles. The turn of the 20th century saw more diverse and challenging artworks being produced using all kinds of materials and being presented in different ways and from different social and political angles.
Lubaina Himid, Tate Modern. Review by Carla Scarano. Visitors to Tate Modern are invited to complete, via their presence, the artwork by Lubaina Himid that is on display. They feel encouraged to wander around and attempt to answer questions such as ‘What are monuments for?’ or ‘What does love sound like?’ that are written on walls at the beginning of each section.
Casa Balla. Review by Carla Scarano. Giacomo Balla was an Italian painter, who moved with his family to 39b, via Oslavia, near piazza Mazzini, in June 1929. Balla, his wife, Elisa, and his daughters, Luce and Elica, transformed the house into a work of art, a workshop of sorts in which he experimented with his futurist theories.
Feminine Power: the divine and the demonic. Review by Carla Scarano. The Citi exhibition at the British Museum is a thought-provoking and diverse display of more than 80 artefacts and contemporary artworks that draw from the museum’s collections, loans and new commissions. They reveal the complexity of the representation of more than 5,000 years of femininity in cultures and religions around the world.
Georgian art. Review by Barbara Lewis. Georgia is a country of less than 4 million inhabitants with a language its guides will tell you is unique. They might also mention that the word for hello “gamarjoba” comes from the word for victory.
By Barbara Lewis • art, dance, design, drawing, exhibitions, history, painting, year 2024 • Tags: art, Barbara Lewis, dance, design, drawing, exhibitions, history, painting