Both artists celebrate the regenerative forces of nature to which we have been sensitised by months of lockdown and both exhibitions are a joyful celebration of a cautious reopening after a period of painful reflection.
sculpture
The Arctic: Culture and Climate: Resilience and an enduring thriving culture characterise the population living in the Arctic, a large area in the North Pole comprising Greenland, Alaska, some of the northern territories of Canada, and parts of Siberia and Scandinavia.
Tantra: enlightenment to revolution, British Museum. Review by Carla Scarano. culture and tradition are as alive as ever today, as the comprehensive and exhaustive exhibition at the British Museum shows.
Farleys House and Gallery, Home of the Surrealists, Muddles Green. Review by Barbara Lewis. In pandemic times Farleys House visits have slowed to a trickle, throwing the economics into jeopardy.
Towner, Eastbourne. Alan Davie and David Hockney: Early Works – plus other exhibitions. Review by Barbara Lewis.
In the astonishing setting of Kew Gardens, the organic shapes and luminous colours of Chihuly’s glass sculptures stand out and merge with the landscape.
In the first exhibition to explore the evolution of Moore’s artistic obsession, the Wallace Collection brings together more than sixty sketches, drawings, maquettes and full-sized sculptures in plaster, lead and bronze, culminating in his seven Helmet Heads.
Tokyo: a bridge between tradition and modernity, by Carla Scarano D’Antonio. Compared to Kyoto, Tokyo is bigger, busier and cosmopolitan. My friend Ornella and I had plenty of time by ourselves as my daughter was busy with her course at the Bunka Gakuen University where she is attending a Master in Fashion and Design.
Surrealism was the driving force that motivated Dorothea Tanning’s career from the 1930s until her death in New York in 2012. It offered her an alternative world that she explored going beyond everyday reality.
The ideal venue of the Municipal Gallery of Modern Art in via Francesco Crispi in Rome displays a vast range of pictures and sculptures from the Capitoline collections retracing the interpretation and development of the female form and her artistic personality from the end of the nineteenth century until today.
The vitality of breath and its life power expressed in Jeff Koons’ sculptures and paintings mesmerise the viewer at the Ashmolean exhibition.
by Carla Scarano • art, exhibitions, history, sculpture, year 2021 • Tags: art, Carla Scarano, exhibitions, history, sculpture •
Nero: The Man behind the Myth. British Museum. Review by Carla Scarano. Nero, a young Roman emperor and the last ruler of the first dynasty, the Julio-Claudian dynasty, reigned for fourteen years, from AD 54 to AD 68. His legacy is still controversial and is the subject of this exhibition at the British Museum