Poetry review – CROSSING PATHS: Sarah Leavesley admires a sequence of poems about cross-country walks by Jean Atkin & Richard Skinner which could be seen as a kind of rambler’s guide in verse
Poetry review – OUR WEIRD REGIMENT: Shanta Acharya discusses Martyn Crucefix’s thoughtful and eloquent explorations of change and fragility
Poetry review – DEAR LIFE: Jennifer Johnson admires the broad and compassionate scope of a major collection by Shanta Acharya
ROADSIDE ASSISTANCE Charles Rammelkamp reviews a prose and poetry anthology edited by Dan Denton & Michele McDannold
SCABLANDS AND OTHER STORIES: John Lucas reviews a short story collection by Jonathan Taylor
MUSIC AND POLITICS: John Lucas reviews Gail Holst-Warhaft’s invaluable study of the life of Mikis Theodorakis
Poetry review – THE DANCING MAN: John Lucas admires the new collection by Adrian Caesar – albeit with the mildest of reservations
Poetry review – MAPPING BROKEN ROADS Sue Wallace-Shaddad finds a reassuring humanity among the various unfamiliar forms and layouts used in Roger Bloor’s collection
Poetry review – LIZZARD LOOKS Will Yeoman praises both the craft and the choice of themes in Prue Chamberlayne’s new collection
Poetry review – IMPASSE FOR JULES MAIGRET: Edmund Prestwich enjoys Sean O’Brien’s atmospheric evocation of mid-twentieth century Paris
Poetry review – LATCH: Louise Warren is drawn in by these captivating poems of reminiscence by Rebecca Goss
Michaelina Wautier. Review by Graham Buchan. How fantastic it is to have a substantial exhibition of a completely unknown artist; for that artist to be a woman who painted in the 1600’s; and for her work to be so assured, so accomplished and such a pleasure to experience.
By Graham Buchan • added recently on London Grip, art, exhibitions, painting • Tags: art, exhibitions, Graham Buchan, painting