Poetry review – SOME DARK GOD: Rachel Jeffcoat lets Catherine Balaq’s poems take her into some intriguingly dark places
Poetry review – CANDLELIGHT: Nick Cooke enjoys the way that Sean Street’s poems play with sound as well as with the illumination implied by the title
Salo. Review by Alan Price. What was, in the opinion of critic Robin Wood, perhaps the most shocking film in the history of cinema, has become, for me, an apolitical horror with really shocking moments and uncomfortable ideas. Salo is concerned with new fascism more than old fascism.
Poetry review – A LITTLE BRIDGE: Jennifer Johnson appreciates Alex Josephy’s poetic perspectives on bridges as connections and as ways of getting past obstacles
Poetry review – NEW & COLLECTED POEMS: Ian Pople looks back over Jeffrey Wainwright’s poetic career as summed up in this major retrospective volume
Poetry review – AFTER A SHORT ILLNESS: Sarah Leavesley admires John Whitehouse’s account of losing language as a result of a stroke – and then recovering it in new forms
The Master Builder. Review by Barbara Lewis. On one of its many levels, Henrik Ibsen’s “The Master Builder” is an exploration of whether human beings can make things happen, good or bad, by sheer force of will. The alternative possibilities are that they are manipulated by dark, troll-like forces or that God is the supreme architect to whose designs a pious bourgeoisie must dutifully submit.
By Barbara Lewis • added recently on London Grip, plays, theatre • Tags: Barbara Lewis, plays, theatre