Poetry Review – WHEREOF: Jennifer Johnson discovers what she thinks about the philosophical poetry of Christopher Norris
Poetry review – SUNBATHING WITH FISHERMEN: Emma Storr admires the strength of feeling in Penny Sharman’s poems whether they are dealing with pain and loss or joy and pleasure
Poetry review – SELECTED POEMS: Paul McDonald enjoys a well-chosen and well-arranged selection of Maurice Riordan’s work
Poetry review – NOT MY BEST SIDE: John Forth admires this new selection of U A Fanthorpe’s poetry for its laconic and compassionate voice and its comic precision
Poetry review – THE MAYDAY DIARIES: D A Prince admires Robin Houghton’s wide-ranging collection which succeeds in mixing the personal with the political
Poetry review – THE COLOUR OF RAIN: Pat Edwards finds her imagination stirred by the poems in Susan Utting’s new collection
Poetry review – TOOK MY WAY DOWN, LIKE A MESSENGER, TO THE DEEP: Edmund Prestwich admires the intricacy of Linda France’s sonnet sequence linking the paintings of Leonora Carrington with the experience of lockdown
Poetry review – VELVEL’S VIOLIN: Wendy Klein reviews a collection by Jacqueline Saphra whose themes have acquired even more depth and significance in light of post-publication events
Poetry review – ON BALANCE: Sultana Raza is intrigued by the underlying threads and themes in this short collection by John Harvey
Poetry review – SIXTY POEMS: Rennie Halstead commends the diversity and range of Paul McDonald’s poetry
Poetry review – HOLLYWOOD OR HOME: Charles Rammelkamp enjoys Kathryn Gray’s excursions into the illusory world of film where the past seems to be preserved even as time moves on for the rest of us.
Cosi fan tutte. Review by Julia Pascal. What is so shocking about this opera written by Mozart in 1790 is how contemporary it is. This co-production with New York’s Metropolitan Opera was first seen at the Coliseum in 2014.
By Julia Pascal • added recently on London Grip, opera, theatre • Tags: Julia Pascal, opera, theatre