Poetry review – AFTER THE RITES AND SANDWICHES: Nicki Heinen admires Kathy Pimlott’s poetry composed in the face of grief and loss
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Poetry review – CHANGE YOUR LIFE: Alwyn Marriage considers a new selection of Rilke’s poetry translated by Martyn Crucefix
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Poetry review – JUST BREATHE: Emma Storr is moved by Trish Kerrison’s poems dealing frankly with the challenges of long-term illness
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Write like a man. Review by Julia Pascal. Ronnie A. Grinberg’s detailed analysis of mid-twentieth century America’s masculine Jewish literary elites is a careful examination of the major personalities.
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Poetry review – OKAPI: Rosie Johnston considers Fiona Moore’s book-length poem of eloquent reflection on disorienting personal experience
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Poetry review – A BIRD CALLED ELAEUS: Edmund Prestwich admires David Constantine’s contemporary renderings of selections from an anthology spanning some 2000 years of Greek poetry
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Poetry review – SELF GEOFFERENTIAL: Charles Rammelkamp takes two-fold pleasure from Geoffrey Gatza’s new collection
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High and Low and Stray Dog (Kurosawa). Review by Alan Price. Crime films with a tinge of film noir are not the obvious genres that spring to mind when you think of the typical output of Akira Kurosawa.
Kyoto. Review by Barbara Lewis. Oil – the fuel of Western capitalism – was the issue in 1997 when the Kyoto Protocol delivered the first set of targets to limit its use. Nearly three decades later, far too little has changed.
By Barbara Lewis • added recently on London Grip, plays, theatre • Tags: Barbara Lewis, plays, theatre