The Last Caravaggio. Review by Graham Buchan. Sometimes it is more rewarding to spend extended time with one great example of an artist’s work than to work through a whole exhibition. This is the opportunity being offered by the National Gallery’s free show The Last Caravaggio.
exhibitions
CONFESSIONS OF A HIGHLAND ART DEALER: Kate Ashton reviews a memoir full of hope and persistence by Tony Davidson
Claudette Johnson’s exhibition Presence. Review by Jenny Vuglar. Johnson first came to attention in 1982 while a student at The Polytechnic Wolverhampton. Britain’s ‘black cultural renaissance’ began, not in the famous institutions of London but in the Polytechs of the north: Wolverhampton, Trent, Sunderland.
Sarah Lucas: Happy Gas. Review by Graham Buchan. It is clear from this retrospective of Sarah Lucas’s thirty-five year career that an obsession with tits, toilets, cigarettes, shoes and chairs informs much of her work.
Paula Rego: Crivelli’s Garden. Review by Graham Buchan. Two years ago Tate Britain mounted a major retrospective of Paula Rego’s work and it was a great exhibition. Now the National Gallery shows a single piece of Rego’s work, albeit a big one: Crivelli’s Garden is nearly ten metres wide and two metres high.
Expressionists – Kandinsky, Münter and The Blue Rider. Review by Graham Buchan. The Blue Rider was a diverse group of avant-garde artists from a variety of countries and backgrounds who gathered together in Munich pre-First World War to share their beliefs and enthusiasms.
By Graham Buchan • added recently on London Grip, art, exhibitions, painting • Tags: art, exhibitions, Graham Buchan, painting