Guys and Dolls, Royal Albert Hall. Review by Julia Pascal.
Damon Runyan’s short stories inspired what has become an iconic and much-loved Broadway musical and movie – Guys and Dolls.
musicals
Iolanthe, Richmond Theatre, London. Review by Barbara Lewis.
When Iolanthe in 1882 became the fourth consecutive major success for Gilbert and Sullivan, Gladstone, a Conservative-turned-Liberal, was prime minister and women had no vote.
Lovebites, White Bear, London. Review by Barbara Lewis.
The London theatre scene could easily manage without another musical about love. But the UK premiere of this Australian-born celebration of the greatest of emotions by Peter Rutherford and James Millar is nevertheless as welcome, even as necessary, as every generation’s attempts to redefine love for themselves.
Twang!! Union Theatre. Review by Barbara Lewis.
As far as 1960s audiences were concerned, Lionel Bart – famed for the musical Oliver – had lost his “twang” when he came up with the box office flop “Twang!!”, with two exclamation marks. But if the audiences of the swinging sixties weren’t ready, the 21st century theatre-goers of London’s Union Theatre – renowned for alternative, low-budget, high-entertainment musicals – are.
The Hired Man, Union Theatre, London. Review by Barbara Lewis.
In a capitalist society, we’re nearly all hired hands, but the extent of the exploitation is more or less pernicious. Melvyn Bragg’s gritty, Northern, sweeping tale ultimately finds the best option for the ordinary man is to accept a pittance to work above ground rather than to toil in a futile World War I trench or in a narrow coal seam beneath the sea.
Company, Stephen Sondheim and George Furth. Review by Barbara Lewis.
Any story-line involving a single woman is inherently more dramatic than a narrative of a single man because of biology’s cruel deadlines.