JOHN LUCAS ONLINE: London Grip reveals a cache of valuable material

Poetry review – DISTANCE TO INFINITY: Charles Rammelkamp commends g emil reutter’s willingness to issue vigorous poetic warnings about dictatorships around the world and especially in the USA

Eyes Without a Face. Review by Alan Price. The BFI’s transfer (containing extra shorts, new commentary and a documentary) is the best print I’ve ever seen of a masterwork that’s both acutely painful yet tenderly poetic.

Poetry review – COMPASS LIGHT: Stuart Henson suggests that the poetry of Hilary Davies might be seen as sacred music for a secular world Compass Light Hilary Davies Renard Press ISBN 978-1-80447-159-3 £10 ‘SANS DIEU RIEN’ says the clock at Ingatestone Hall, the Tudor manor house in Essex: a motto that speaks […]

Poetry review – FABRICS, FANCIES & FENS: Caroline Maldonado considers a diverse but consistently accessible collection by Gerald Killingworth

Poetry review – FOR THE DURATION: Jim Greenhalf finds much to admire in a new collection by Nicholas Bielby

Lee Miller. Tate Britain. Review by Graham Buchan. Tate Britain’s new show is the largest ever exhibition of Miller’s work and we get to know what a remarkable and varied life she had.
Blue/Orange, Review by Barbara Lewis. In the quarter of a century since the first staging of Joe Penhall’s exploration of how the system fails to serve the most vulnerable and potentially most dangerous in society horribly little progress has been made in delivering reform.
By Barbara Lewis • added recently on London Grip, plays, theatre • Tags: Barbara Lewis, plays, theatre