It’s testimony to the vibrant creativity and style of Sao Paulo that its international art festival – SP-Arte – can transform an object as potentially mundane and outdated as the tea trolley into a pinnacle of design.
Henry Moore enthusiasts could do worse on this rainy Easter Week than to head for Canary Wharf and see this exhibition, which tells the story of the creation of the Draped Seated Figure, now known as “Old Flo”, and her changing fortunes over the past fifty years.
A temporary installation in Bloomsbury Square is a powerful reminder of the work of exiled Russian poets in the last century
For an artist whose career is based on confronting the spaces we either ignore or deliberately avoid, the now-demolished BBC office that reputedly inspired Room 101 in George Orwell’s 1984 is perfect subject-matter.
Art is Comic, billed as a light-hearted response to terror, is the latest exhibition to embrace rough, industrial brickwork as the perfect backdrop for popular artists with hundreds of thousands of followers and an outwardly casual attitude towards failing politics and social injustice.
From stylised art nouveau temptresses to giant Tintin cartoons, Brussels has an established tradition of putting art on the outside of its buildings as well as inside. The capital’s newest gallery in a former brewery in Molenbeek – the neighbourhood notorious as a breeding ground of the Paris and Brussels terror attacks – captures that spirit.
Yayoi Kusama: The moving moment when I went to the universe. Review by Carla Scarano.
A daring exhibition of Yayoi Kusama’s work at Victoria Miro Art Gallery.