Duilio Cambellotti, Myth, Dream and reality. Review by Carla Scarano.
The beautiful park and the edifices of Villa Torlonia in via Nomentana in Rome is an unmissable place in the tour of the capital.
drawing
Fideles Oculi, Jennie Jewitt-Harris Exhibition. Review by WIlliam Marshall
This is a remarkable exhibition: Jennie Jewitt-Harris’s intricate collages, built in many cases on a foundation of pencil and charcoal drawings of driftwood, are a delight to the eye.
Rodin and the art of ancient Greece. Review by Julia Pascal.
It is surprising that Rodin never visited Greece and that his addiction to Greek architecture was partly satisfied by what he saw in the British Museum. Here Rodin rediscovered classical art and was provoked to make new works seeded by these antiquity.
MASP, Sao Paulo. Review by Barbara Lewis.
One of the joys of the MASP in the Paulista Avenue, Sao Paulo’s equivalent of the Champs Elysees, is that when you pay for entry (every day except Tuesday) nearly everyone else is too busy making or spending money to block your view of old and new masters.
Auguste Rodin at One Canada Square. Review by Jane McChrystal.
Auguste Rodin (1840-1917) was the consummate commercial artist. He devised a formula for making lots of money out of his work long before Andy Warhol proclaimed “Being good in business is the most fascinating kind of art”.
Art is Comic, MIMA, Brussels. Review by Barbara Lewis.
Art is Comic, billed as a light-hearted response to terror, is the latest exhibition to embrace rough, industrial brickwork as the perfect backdrop for popular artists with hundreds of thousands of followers and an outwardly casual attitude towards failing politics and social injustice.
Spectrum Art Prize – Helping to articulate the unique conditions associated with autism.
We are delighted to announce Spectrum’s competition, The Spectrum Art Prize. This is a new national award which celebrates the exciting work produced by artists on the autistic spectrum.
London Grip Poetry Review – Wilkinson & Doornbos
D A Prince is intrigued by the methods and the outcome of a poet-artist collaboration between Judith Wilkinson and Ditty Doornbos
London Grip Poetry Review – Urban Myths & legends
Wendy French is pleased to find that a themed anthology from Emma Press successfully does what it sets out to do
City Lights. Millennium Iconoclast Museum of Modern Art (Mima), Brussels. Review by Barbara Lewis.
From stylised art nouveau temptresses to giant Tintin cartoons, Brussels has an established tradition of putting art on the outside of its buildings as well as inside. The capital’s newest gallery in a former brewery in Molenbeek – the neighbourhood notorious as a breeding ground of the Paris and Brussels terror attacks – captures that spirit.
Hieronymous Bosch – Visions of Genius, North Brabant Museum, Den Bosch, the Netherlands.
As if an extraordinary imagination for fantastic, unsettling monsters and a genius ahead of his time for sensitive, naturalistic depictions of ordinary people weren’t enough, Hieronymous Bosch also had a modern knack for successful branding.
1 2
Mantegna and Bellini, National Gallery. Review by Barbara Lewis.
Andrea Mantegna was a self-made man from Padua. In 1453, he married into the greatest artistic family of nearby Venice and became the brother-in-law of Giovanni Bellini.