Malevo. Review by Barbara Lewis. Any thoughts the scheduled ninety minutes might be too long for a macho display of virility were banished by a superbly coordinated frenzy of frantic footwork and brilliant bravado.
performance

Our Voices. Review by Julia Pascal. This mixed bill is a curious evening where the separate parts do not form an organic whole. George Balanchine’s 1947 Themes and Variations thrilled the audience who gasped when the curtain rose on tutued dancers.

Last Night of The Proms 2023. Review by Julia Pascal. It was the presence of the hundreds of blue EU flags which made me realise that the Last Night of the Proms is not just a xeno-fest. It is a testimony to the international element of art and music.

Prom 55. Review by Julia Pascal. Nelsons led his orchestra in such a way as to suggest that this was also the premiere for Stravinsky, Gershwin and Ravel.

Poetry review – TITS ON THE MOON: Charles Rammelkamp reviews a selection of diverting poems by Dessa

An Anatomy of Melancholy. Review by Julia Pascal. This is one of the most extraordinary pieces of theatre that I have ever seen. The Pit is transformed into a laboratory with audience sitting in a circle watching the interplay between science, art, music, psychiatry and clinical analysis, in a concept that links the writings of Shakespeare’s contemporary, John Burton, with Freud and 2022 explorations into the mind.
Beyond Ourselves. Review by Barbara Lewis. Making dreams come true has never been easy, but the joy of theatre is in the trying.
By Barbara Lewis • performance, plays, theatre, year 2023 • Tags: Barbara Lewis, performance, plays, theatre