The museum in Doughty Street, London, has a temporary exhibition to revisit the established view that Dickens had no truck with science, presenting the discipline not so surprisingly as an extension of his concern with social justice and reform rather than abstract theory.
Born in the Normandy port of Honfleur in 1824, son of a mariner and whose dying wish was to return to the coast, Eugene Boudin had an instinctive understanding of the play of light on water and in the sky.
Views of different countries combining practical observations and ideal visions are the focus of two major exhibitions occurring in Rome: Turner: work from Tate and Hiroshige: visions from Japan.
Rambouillet – known for its graceful chateau that is the summer seat of French presidents and the setting for international summits – also has appeal for those seeking a gentler life on the sidelines – or even in the sidings.
Florence has plenty of art masterpieces and so many world renowned museums and churches to visit that it is hard to find the time to see something different when you are there. Textiles and fashion are the other strong trademarks of the city whose fortunes are linked to commerce and banking since the Middle Ages.
Tower Hamlets will host a celebration of the work of The East London Federation of Suffragettes over the next five months.
It is surprising that Rodin never visited Greece and that his addiction to Greek architecture was partly satisfied by what he saw in the British Museum. Here Rodin rediscovered classical art and was provoked to make new works seeded by these antiquity.
These editors remind us that ‘Paris remains one of the most iconic, filmed cities in the world’ but they challenge the location as being merely a visual backdrop of glamour and romance.
The AOP was set up in 1968 to publicise the work and protect the copyright of photographers active in the worlds of fashion and advertising.
Carla Scarano looks at two V&A exhibitions exploring interactions between human beings and the natural world
Carla Scarano visits two exhibitions in Florence: The return to Italy of Salvatore Ferragamo in 1927 and the Dawn of a Nation after WW II
Fideles Oculi, Jennie Jewitt-Harris Exhibition. Review by WIlliam Marshall
This is a remarkable exhibition: Jennie Jewitt-Harris’s intricate collages, built in many cases on a foundation of pencil and charcoal drawings of driftwood, are a delight to the eye.