A riveting exhibition at the National Gallery spanning Artemisia Gentileschi’s 45-year career displays her best artwork.
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Tantra: enlightenment to revolution, British Museum. Review by Carla Scarano. culture and tradition are as alive as ever today, as the comprehensive and exhaustive exhibition at the British Museum shows.Â
Post-Virus Venice: More than looks. Venice is, to a majority of us, one of humanity’s most seductive achievements.
Farleys House and Gallery, Home of the Surrealists, Muddles Green. Review by Barbara Lewis. In pandemic times Farleys House visits have slowed to a trickle, throwing the economics into jeopardy.
Hastings Contemporary. Quentin Blake: We Live in Worrying Times. Victor Pasmore: Line and Space. Review by Barbara Lewis. The short history of Hastings Contemporary art gallery has so far been troubled. Before it was built, it divided opinion.
Pallant House Gallery. Barnett Freedman: Designs for Modern Britain. Review by Barbara Lewis. Painter and teacher Paul Nash referred to the group of artists he taught in the early 1920s as “an outbreak of talent”.
Kimono: Kyoto to Catwalk. Victoria and Albert Museum. Review by Carla Scarano. The complex evolution and rich cultural significance of the kimono are thoroughly explored in the exhibition at the V&A.Â
Towner, Eastbourne. Alan Davie and David Hockney: Early Works – plus other exhibitions. Review by Barbara Lewis.
Poetry review – VERITAS: Alwyn Marriage is impressed by Jacqueline Saphra’s skilfully crafted poetic responses to the paintings of Artemisia Gentileschi
WHEN WE LIVED IN HEAVEN: William Bedford considers Two Girls and a Beehive – a new collection of poetry by Rosie Jackson & Graham Burchell
The exhibition was organised in collaboration with the Uffizi Galleries and acts as a flash-back to Raphael’s life and career. It starts from his sudden death in Rome five hundred years ago.
by Barbara Lewis • added recently on London Grip, art, music, painting, plays, poetry, theatre • Tags: art, Barbara Lewis, music, painting, plays, poetry, theatre •
If you can embrace it, lockdown’s shift from the real to the virtual is a liberation that makes anything possible.