For Wasfi Kani, the unstoppable founder of Grange Park Opera, even a pandemic is only a temporary setback. As soon as she had accepted this summer’s country house opera season at The Theatre in the Woods was lost, she set about mobilising the “pandemicists” and amassing funding for a Found season.
music
Poetry review – The Idea of North: Charles Rammelkamp reviews Alan Catlin’s poetic sketch of the life of pianist Glenn Gould
Bernstein’s 45-minute, one-act opera Trouble in Tahiti is his only oeuvre for which he wrote both words and music and he made the language plain to ensure realism.
U.S. folk musician Jay Ungar composed his Ashokan Farewell in 1982 shortly after violin and dance camps he had been running in Ashokan, New York state, ended for the season.
For those suffering withdrawal symptoms, Stay at Home with Crazy Coqs is providing a thrice-weekly fix on YouTube as some of its regular artists post recordings from their homes or reissue previous Crazy Coqs performances.
Isadora Duncan (1877-1927) has been re-visioned by Viviana Durante in her new programme Don’t Let Them Tame You.
Jason Kravits’ cabaret at Crazy Coqs is wildly funny. This singer-entertainer is so dynamic that I would suggest he be prescribed for those with the blues.
Rigoletto,
Composer: Verdi
Producer: Welsh National Opera
In his final decade, the Czech nationalist Janacek, found a new love interest and produced five major operas. The most accessible and refreshing is The Cunning Little Vixen (premiered in 1924), with its comic acceptance – like late Shakespeare – of the redemptive power of love and renewal, and its tragic awareness of the forces of raw nature and of life’s disappointments.
One of the main reasons to stay in London in the summer is the Proms. I admit that I am in love with the Royal Albert Hall. There is something about sitting in this circular, wedding cake structure that has an effect on the psyche.
Opera and cabaret singer Melinda Hughes lost her mother in June. Two months on, she has immortalised her in a song and is finding catharsis in a satirical take on the world.
An unexpected joy of lockdown is seeing world-class performers in their natural habitats. Habitat is the apposite word for Simon Keenlyside, who read zoology at Cambridge before focusing on his operatic career and who describes a love of nature as “the marrow” of his existence. He looks to music for its validation.
By Barbara Lewis • music, opera, performance, year 2020 • Tags: Barbara Lewis, music, opera, performance