Grayson Perry: Delusions of Grandeur. Review by Barbara Lewis. One of the joys of Grayson Perry’s exhibition is that it is he who provides the explanatory notes. A standout peg is: “An artist’s job is to bite the hand that feeds him, but not too hard”
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Impressionist Paris. Review by Barbara Lewis. Impressionist Paris, A Panoramic View of Paris in French Impressionism. Published by Hannibal Books to coincide with the exhibition New Paris: From Monet to Morisot at the Kunstmuseum in the Hague until June 9
Vanessa Bell: A World of Form and Colour. Review by Jenny Vuglar. To be a woman artist in the mid twentieth century was not uncommon but to be one that was taken seriously was. The question for women artists was: how did you step out of the strait jacket of ‘lady artist’ into the world of serious collectors, galleries; out of the here and now into eternity?
Siena: The Rise of Painting 1300?1350. Review by Graham Buchan. This, quite simply, is a stunning exhibition. It asserts that the first half of the fourteenth century is when painting came into its own. It was now that painting, as an art form, first became something to be commissioned and acquired.
Films. Review by Barbara Lewis. Antwerp-based drawer, ceramicist, installationist, and now film maker Rinus Van de Velde defines his work as “fictional autobiography”. To the core a studio artist, four white walls are, for him, liberating rather than constraining.
Miro. Review by Barbara Lewis. For Barcelona-born Catalan artist Joan Miro, Mallorca was the land of his maternal grandmother, of his wife, and from 1956, his adoptive home. It was also a refuge and his connection with it was fundamental to his work.
Medieval Women. Review by Barbara Lewis. Between 1100 and 1600, Europe had 20 reigning queens. It produced numerous women who turned to religion to escape female servitude and gain influence and others who offered practical common sense to relieve the often fatal trauma of childbirth.
Open Wound. Review by Graham Buchan. Open Wound is Lee’s response to the annual commission to make an artwork to fill Tate Modern’s massive Turbine Hall.
Claude Cahun Exhibition. Review by Julia Pascal. This Hayward Touring exhibition is in collaboration with Jersey Heritage and was first presented at the Women of the World Festival 2015, Southbank Centre.
James Ensor and the Graphic Experiment. Review by Barbara Lewis. This year marks 75 years since the death of the painter and printmaker James Ensor, which has been the cue for a flurry of exhibitions in his native Belgium.
Poetry review – BELIEF SYSTEMS: Paul McDonald praises Tamar Yoseloff’s new collection of ekphrastic poetry for its imagination and inventiveness
Nocturnal Journey. Review by Barbara Lewis. Detachment from time and space are the hallmarks of Hans Op de Beeck’s meticulously crafted art, which arguably make it fitting that he has never had a complete exhibition of his work in his native Belgium – until now.
By Barbara Lewis • added recently on London Grip, art, exhibitions, sculpture • Tags: art, Barbara Lewis, exhibitions, sculpture