Poetry review – BELIEF SYSTEMS: Paul McDonald praises Tamar Yoseloff’s new collection of ekphrastic poetry for its imagination and inventiveness
art
Gavin Jantjes: To Be Free! Review by Graham Buchan. Jantjes earliest work on show here is a range of screenprints where he expresses his rage, not just at the oppression in his own country, but in other colonial territories such as Algeria, Ghana and Mozambique.
Expressionists – Kandinsky, Münter and The Blue Rider. Review by Graham Buchan. The Blue Rider was a diverse group of avant-garde artists from a variety of countries and backgrounds who gathered together in Munich pre-First World War to share their beliefs and enthusiasms.
The Last Caravaggio. Review by Graham Buchan. Sometimes it is more rewarding to spend extended time with one great example of an artist’s work than to work through a whole exhibition. This is the opportunity being offered by the National Gallery’s free show The Last Caravaggio.
Poem-Object and Objective of the Poem: Lisa Kelly reflects on possible new interactions between word and material
Poetry review – GOD’S LITTLE ARTIST: Rosie Johnston considers Sue Hubbard’s perceptive and affectionate poetic biography of the painter Gwen John
Poetry review – TOOK MY WAY DOWN, LIKE A MESSENGER, TO THE DEEP: Edmund Prestwich admires the intricacy of Linda France’s sonnet sequence linking the paintings of Leonora Carrington with the experience of lockdown
James Ensor and the Graphic Experiment. Review by Barbara Lewis. This year marks 75 years since the death of the painter and printmaker James Ensor, which has been the cue for a flurry of exhibitions in his native Belgium.
By Barbara Lewis • art, books, print, year 2024 • Tags: art, Barbara Lewis, books, print