Marthe de Meligny, Pierre Bonnard exhibition, Tate Modern. Review by Jane McChrystal.
For many of us stuck here in the grey fastness of a London winter, a visit to the 2019 Pierre Bonnard exhibition has brought some welcome relief.
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Your Culture is not mine…or is it? America’s tense relationship with high culture. By Stephanie V Sears
As a half French, half American individual, I give in to a pastime common to double nationals, which consists of regularly comparing both countries of origin.
Three free exhibitions at the Ashmolean Museum of Art and Archaeology. Review by Carla Scarano.
Sometimes free exhibitions are as interesting as ones you pay for. This is the case of three free exhibitions displayed in three different rooms at the Ashmolean museum in Oxford.
A place that exists only in moonlight. Turner Contemporary. Katie Paterson & JMW Turner. Review by Fiona Sinclair.
There is a natural symbiosis between the two artists in this exhibition. Both, although divided by centuries, seek to present the relationship between man and his place in the universe.
Balla: Villa Borghese. Review by Carla Scarano.
The Museum Carlo Bilotti is located in the elegant edifice of the Orangery in the park of Villa Borghese. It is one of the many and interesting museums of the Municipality of Rome scattered around the capital, and is free of charge.
Ovid. Love, myths and other stories. Review by Carla Scarano.
An enthralling survey of ancient myths is the central idea of Ovid’s exhibition at Scuderie del Quirinale in Rome.
Yayoi Kusama: The moving moment when I went to the universe. Review by Carla Scarano.
A daring exhibition of Yayoi Kusama’s work at Victoria Miro Art Gallery.
Mantegna and Bellini, National Gallery. Review by Barbara Lewis.
Andrea Mantegna was a self-made man from Padua. In 1453, he married into the greatest artistic family of nearby Venice and became the brother-in-law of Giovanni Bellini.
Duilio Cambellotti, Myth, Dream and reality. Review by Carla Scarano.
The beautiful park and the edifices of Villa Torlonia in via Nomentana in Rome is an unmissable place in the tour of the capital.
Fideles Oculi, Jennie Jewitt-Harris Exhibition. Review by WIlliam Marshall
This is a remarkable exhibition: Jennie Jewitt-Harris’s intricate collages, built in many cases on a foundation of pencil and charcoal drawings of driftwood, are a delight to the eye.
Honfleur: Musee Eugene Boudin and Maisons Satie. Barbara Lewis.
Born in the Normandy port of Honfleur in 1824, son of a mariner and whose dying wish was to return to the coast, Eugene Boudin had an instinctive understanding of the play of light on water and in the sky.
The Swan Princess: Russian Art, Munch Museum, Oslo. Review by Barbara Lewis
Edvard Munch from next year will be displayed in a new aluminium tower that has divided local opinion as it changes the skyline near Oslo’s iceberg-like opera house on the waterfront.