We’ve all seen it a hundred times, identified with it and even messaged using an emoticon version of Edvard Munch’s skull-like face, clutched by hands raised in horror in a distorted, nightmarish world.
The vitality of breath and its life power expressed in Jeff Koons’ sculptures and paintings mesmerise the viewer at the Ashmolean exhibition.
Edvard Munch from next year will be displayed in a new aluminium tower that has divided local opinion as it changes the skyline near Oslo’s iceberg-like opera house on the waterfront.
For many of us stuck here in the grey fastness of a London winter, a visit to the 2019 Pierre Bonnard exhibition has brought some welcome relief.
As a half French, half American individual, I give in to a pastime common to double nationals, which consists of regularly comparing both countries of origin.
Sometimes free exhibitions are as interesting as ones you pay for. This is the case of three free exhibitions displayed in three different rooms at the Ashmolean museum in Oxford.
There is a natural symbiosis between the two artists in this exhibition. Both, although divided by centuries, seek to present the relationship between man and his place in the universe.
The Museum Carlo Bilotti is located in the elegant edifice of the Orangery in the park of Villa Borghese. It is one of the many and interesting museums of the Municipality of Rome scattered around the capital, and is free of charge.
An enthralling survey of ancient myths is the central idea of Ovid’s exhibition at Scuderie del Quirinale in Rome.
A daring exhibition of Yayoi Kusama’s work at Victoria Miro Art Gallery.
Andrea Mantegna was a self-made man from Padua. In 1453, he married into the greatest artistic family of nearby Venice and became the brother-in-law of Giovanni Bellini.
Women body and image, between symbol and revolution. Review by Carla Scarano.
The ideal venue of the Municipal Gallery of Modern Art in via Francesco Crispi in Rome displays a vast range of pictures and sculptures from the Capitoline collections retracing the interpretation and development of the female form and her artistic personality from the end of the nineteenth century until today.