Both artists celebrate the regenerative forces of nature to which we have been sensitised by months of lockdown and both exhibitions are a joyful celebration of a cautious reopening after a period of painful reflection.
art
The Florentines: From Dante to Galileo. By Paul Strathern, Published April 1, Atlantic Books. Review by Barbara Lewis.
The Arctic: Culture and Climate: Resilience and an enduring thriving culture characterise the population living in the Arctic, a large area in the North Pole comprising Greenland, Alaska, some of the northern territories of Canada, and parts of Siberia and Scandinavia.
St Michael and All Angels Church, Berwick: Should we be in need of a reminder, lockdown has provided it: our appreciation of a work of art can depend on experiencing it in the context for which it was created; the vacuum of an online viewing is no substitute.
A fellow pupil of Leipzig master Bernhard Heisig is the artist ANTOINETTE, who uses only her first name written in capitals. In common with Rauch and other Leipzig artists, she combines meticulous representation with the fantastic or surreal.
If you can embrace it, lockdown’s shift from the real to the virtual is a liberation that makes anything possible.
Artemisia: A riveting exhibition at the National Gallery spanning Artemisia Gentileschi’s 45-year career displays her best artwork.
Tantra: enlightenment to revolution, British Museum. Review by Carla Scarano. culture and tradition are as alive as ever today, as the comprehensive and exhaustive exhibition at the British Museum shows.
Post-Virus Venice: More than looks. Venice is, to a majority of us, one of humanity’s most seductive achievements.
Farleys House and Gallery, Home of the Surrealists, Muddles Green. Review by Barbara Lewis. In pandemic times Farleys House visits have slowed to a trickle, throwing the economics into jeopardy.
Hastings Contemporary. Quentin Blake: We Live in Worrying Times. Victor Pasmore: Line and Space. Review by Barbara Lewis. The short history of Hastings Contemporary art gallery has so far been troubled. Before it was built, it divided opinion.
Paula Rego, Tate Britain. Review by Graham Buchan. The Anglo-Portuguese artist Paula Rego, now in her 86th year, has forged a long career in a variety of media including sculpture and etchings.
By Graham Buchan • art, exhibitions, painting • Tags: art, exhibitions, Graham Buchan, painting