This is a remarkable exhibition: Jennie Jewitt-Harris’s intricate collages, built in many cases on a foundation of pencil and charcoal drawings of driftwood, are a delight to the eye.
The AOP was set up in 1968 to publicise the work and protect the copyright of photographers active in the worlds of fashion and advertising.
These dark winter months, when accounts of inappropriate advances are rocking Westminster and Hollywood, are the perfect time for seeking light and sanity in the clean-cut, calm glamour of fashion photographer Louise Dahl-Wolfe.
On the whole, the curators have given the works the space they need and brought a coherent approach to displaying them in relation to each other, which provides the viewer with a largely satisfying experience.
Ryan’s Return: Brian Docherty takes a thoughtful and observant stroll through Sean O’Brien’s sombre version of West London
One of the more unlikely joys of Brussels life is the rotating EU presidency. Every six months, a different member of the 28-strong European Union takes on the task of presiding over policy-making. For the citizens of Brussels, it’s a chance for a cultural mini break without the expense and inconvenience of braving the airport.
Night and Day: 1930s Fashion & Photographs. Review by Barbara Lewis.
In 1933, Hitler became Chancellor of Germany. In the world of fashion, shoulders broadened and the iconic 1930s shape became established.