Poetry review – WHERE I’D WATCH PLASTIC TREES NOT GROW: Alwyn Marriage strongly recommends Hannah Hodgson’s distinctive poetry
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Poetry review – everlove: Louise Warren finds both division and reassembly in Maggie Butt’s new collection
Poetry review – LITTLE QUAKES EVERY DAY: Rennie Halstead reviews a challenging first collection by Caroline Hardaker
Poetry review – STILL LIFE: Edmund Prestwich is drawn in and carried along by Ciaran Carson’s poetic meditations
Poetry review – STILL-LIFE WITH GOD: Tina Cole considers an engaging collection of questioning poetry by Cynthia Atkins
Poetry review – RECALLING LONDON EAST: John Forth admires the plain speaking in this collection of reminiscent poetry by Pat Francis
Poetry review – TALKING TO STANLEY ON THE TELEPHONE: John Forth enjoys his exploration of Michael Schmidt’s new collection
Poetry review – THE GARLAND KING: D A Prince respects the uncomfortable and uncompromising honesty in Matthew Hedley Stoppard’s collection
Poetry review –FOG AND LIGHT: Charles Rammelkamp finds memories are stirred by this atmospheric anthology of San Francisco poems, edited by Diane Frank
Poetry review – FOR MARY, MARIE, MARIA: Sue Wallace Shaddad explores Lucy Rose Cunningham’s allusive and mysterious poetry
HARTLEY COLERIDGE – GENIUS DISREGARDED. Jacob John Shale considers Andrew Keanie’s short study of the life and poetry of the eldest son of Samuel Taylor Coleridge
NO SPIDER HARMED IN THE MAKING OF THIS BOOK: James Roderick Burns ventures into an anthology – edited by Cherry Potts – which is devoted to the eight-legged creatures which are a source of alarm to many people.
By Michael Bartholomew-Biggs • books, year 2021 • Tags: books, James Roderick Burns