Poetry review – A BROKEN MAN IN FLOWER: Edmund Prestwich commends the power and effectiveness of David Harsent’s versions of poems by Yannis Ritsos
Edmund Prestwich
Poetry review – IMPASSE FOR JULES MAIGRET: Edmund Prestwich enjoys Sean O’Brien’s atmospheric evocation of mid-twentieth century Paris
Poetry review – LET HIM BRING A SHRUBBE: Edmund Prestwich takes a close and appreciative look at Katharine Towers’ collection which draws on the life & music of composer Gerald Finzi
Poetry review – FIVE FIFTY-FIVE: Edmund Prestwich finds many reasons to admire Maura Dooley’s collection
Poetry review – BACK TO LIFE: Edmund Prestwich reviews a rich and wide-ranging collection by Michael Vince
Poetry review – TRAVELLERS OF THE NORTH and HARALD IN BYZANTIUM: Edmund Prestwich considers two collections, by Fiona Smith and Kevin Crossley-Holland, that give voice to characters from history
Poetry review – NOTES ON THE WASTE LAND: Edmund Prestwich considers the relationship between Tim Dooley’s new sequence and the Eliot poem which inspired it
THE WASTE LAND: A BIOGRAPHY OF A POEM: Edmund Prestwich admires the depth and scope of Matthew Hollis’s study of T S Eliot’s most famous work
Poetry review – YOUR NEARNESS: Edmund Prestwich finds it rewarding to tackle the difficult aspects of Forrest Gander’s poetry
Poetry review – FIVE SCENES FROM A FAILED REVOLUTION: Edmund Prestwich is moved by Ashur Etwebi’s vivid glimpses of the continuing crisis in Libya
Poetry review – OAK: Edmund Prestwich is captivated by an imaginative poem-biography of an oak tree by Katharine Towers
Poetry review – TOOK MY WAY DOWN, LIKE A MESSENGER, TO THE DEEP: Edmund Prestwich admires the intricacy of Linda France’s sonnet sequence linking the paintings of Leonora Carrington with the experience of lockdown
By Michael Bartholomew-Biggs • art, books, poetry reviews, year 2024 0 • Tags: art, books, Edmund Prestwich, poetry