HERE’S WHERE WE GET OFF: Charles Rammelkamp reviews a collection of microfictions by Guy Biederman
Charles Rammelkamp
ROADSIDE ASSISTANCE Charles Rammelkamp reviews a prose and poetry anthology edited by Dan Denton & Michele McDannold
Poetry review – THE WEIGHT OF SOUND Charles Rammelkamp finds rich detail and skilful understatement in Mariano Zaro’s poems
Poetry review – PADRE TIERRA Charles Rammelkamp reviews Mariano Zaro’s poetic exploration of a complex parental relationship
Poetry review – SONG OF THE YELLOW ASTERS Charles Rammelkamp reviews a moving and important posthumous collection by Selma Meerbaum-Eisinger, translated from the German by Carlie Hoffman
Poetry review – SCREEN MEMORIES: Charles Rammelkamp considers Henry Sussman’s poetic account of his lifelong love of cinema
RECKONINGS: Charles Rammelkamp considers a collection of witheringly satirical essays by Thomas Farber
Poetry review –of an octopus: an archite|x|tural awareness of words: Charles Rammelkamp reviews an intriguing new collection by Diane Sahms
Poetry review – BACKLIT: Charles Rammelkamp reviews a prize-winning collection by Liz Robbins which explores the emotions and fears behind the anonymity of sex-workers
Poetry review – TURN UP THE HEAT: Charles Rammelkamp explores a new collection by Ruth Danon
Poetry review – RECOVER: Charles Rammelkamp reviews a slender but rewarding collection by Allison Joseph
Poetry review – LOOSESTRIFE FOR PORCUPINES: Charles Rammelkamp admires a well-observed new collection by D. M. Gordon
By Michael Bartholomew-Biggs • added recently on London Grip, books, poetry reviews, year 2026 • Tags: books, Charles Rammelkamp, poetry