TEXTUS: Nancy Mattson visits a richly rewarding exhibition of text and textiles at the Torriano Meeting House
art
HOLDING A POSE: John Lucas comments on an intriguing essay by Anthony Rudolf on the role of the artist’s model
Paula Rego: Crivelli’s Garden. Review by Graham Buchan. Two years ago Tate Britain mounted a major retrospective of Paula Rego’s work and it was a great exhibition. Now the National Gallery shows a single piece of Rego’s work, albeit a big one: Crivelli’s Garden is nearly ten metres wide and two metres high.
Hilma af Klint & Piet Mondrian: Forms of Life. Review by Graham Buchan. I recommend this show because any exhibition which redresses the balance in favour of a neglected artist is to be commended even if, as I think, af Klint’s work is not altogether good.
LAST ON HIS FEET: JACK JOHNSON AND THE BATTLE OF THE CENTURY: Charles Rammelkamp reviews a shocking and powerful graphic novel by Youssef Daoudi & Adrian Matejka
Spain and the Hispanic World. Review by Carla Scarano. We are lucky that the Hispanic Society Museum and Library in Upper Manhattan is closed for refurbishing so that the collection that the philanthropist Archer M. Huntington accumulated in the late 19th and early 20th centuries can travel the world on loan.
Gwen John: Art and Life in London and Paris. Review by Barbara Lewis. As curators and art historians work to redistribute glory that men historically monopolised, Pallant House Gallery’s latest major exhibition devotes itself to extracting Welsh-born artist Gwen John from beneath the shadow of her more worldly brother Augustus John.
By Barbara Lewis • art, exhibitions, painting, year 2023 • Tags: art, Barbara Lewis, exhibitions, painting