Pallant House Gallery. Barnett Freedman: Designs for Modern Britain. Review by Barbara Lewis. Painter and teacher Paul Nash referred to the group of artists he taught in the early 1920s as “an outbreak of talent”.
Kimono: Kyoto to Catwalk. Victoria and Albert Museum. Review by Carla Scarano. The complex evolution and rich cultural significance of the kimono are thoroughly explored in the exhibition at the V&A.
Raphael: The exhibition was organised in collaboration with the Uffizi Galleries and acts as a flash-back to Raphael’s life and career. It starts from his sudden death in Rome five hundred years ago.
Léon Spilliaert was an insomniac. He walked a great deal in the dead of night and developed an appreciation of all the shades of darkness that establish the still, silent, brooding atmosphere of his work displayed in a long overdue first British monograph exhibition at the Royal Academy.
by Barbara Lewis • art, design, exhibitions, fashion, history, installations, tapestry, textiles, year 2020 • Tags: art, Barbara Lewis, design, exhibitions, fashion, history, installations, tapestry, textiles •
The risk for any exhibition at Two Temple Place – a glorious late Victorian mansion at Temple, central London – is that the wood carving and stained-glass beauty of the building will steal the show.
The fascinating venue of Chiostro del Bramante at Arco della Pace near piazza Navona in the centre of Rome again hosts an exhibition in collaboration with Tate Britain. This time, the artworks of two major British painters, Francis Bacon and Lucian Freud, are together on display.
Social Solidarity and the Arts in Woke Times: Michael Crowley advocates against an ever-increasing subdivision of the arts into racial, age-related or gender groups for a similar audience