Thomas Ovans browses an ambitious anthology of poems inspired by the artist Stanley Spencer and finds that every picture may tell several stories
art
Following in Fitzgerald’s Footsteps: Brian Docherty reviews Ruth Valentine’s small but politically significant and beautifully illustrated new collection from Hercules Editions
It was the Kingdom of Naples that gave Emma the chance to transform herself into an artist, society lady and skilled operator at the court of Queen Maria Carolina, wife of King Ferdinand IV, its reigning monarch.
Jenny Vuglar visits the Winifred Nicholson exhibition Liberation of Colour currently at the Djanogly Art Gallery, Lakeside Arts, Nottingham (4 March – 4 June 2017)
Overlooked for centuries, her paintings were often wrongly attributed to her father, Orazio Gentileschi. In the same period her work sank to a level of obscurity equal to that one of her greatest influences, Caravaggio. His reputation was restored in the 1920’s. Artemisia Gentileschi had to wait a little longer.
On the whole, the curators have given the works the space they need and brought a coherent approach to displaying them in relation to each other, which provides the viewer with a largely satisfying experience.
By Jane McChrystal • art, exhibitions, painting, photography, sculpture, year 2017 • Tags: art, exhibitions, Jane McChrystal, painting, photography, sculpture