Opera and cabaret singer Melinda Hughes lost her mother in June. Two months on, she has immortalised her in a song and is finding catharsis in a satirical take on the world.
Barbara Lewis
For painter Victoria Crowe, who was born in England but made her home in Scotland, tapestry produces richer, warmer versions of the colours paintings reflect. For Grayson Perry, tapestry is the medium to explore his fascination with class, craft and community.
By Barbara Lewis • art, exhibitions, tapestry, year 2019 • Tags: art, Barbara Lewis, exhibitions, tapestry
Don Carlo – or Don Carlos – in history was the mentally unstable son of Philip II of Spain whose brief betrothal to the woman his father later married and contacts with Protestant rebels in the Low Countries provided ammunition for the “black legend” propaganda whipped up by the opponents of his father’s rule.
By Barbara Lewis • music, opera, theatre, year 2019 • Tags: Barbara Lewis, music, opera, theatre
Chilean singer-songwriter, poet, cult figure Violeta Parra’s most famous work “Gracias a la vida” can be viewed as an outpouring of gratitude – or as a suicide note.
By Barbara Lewis • music, plays, theatre, year 2019 • Tags: Barbara Lewis, music, plays, theatre
One million plastic bottles are bought every minute and most of them are not recycled. It’s a stark reality Claire Davenport and Grioghair McCord were moved to explore after a trip to a Shetland beach littered with plastic bottles.
By Barbara Lewis • art, drawing, ecology, economics, exhibitions, installations, society, year 2018 • Tags: art, Barbara Lewis, drawing, ecology, exhibitions, installations, society
In the first exhibition to explore the evolution of Moore’s artistic obsession, the Wallace Collection brings together more than sixty sketches, drawings, maquettes and full-sized sculptures in plaster, lead and bronze, culminating in his seven Helmet Heads.
By Barbara Lewis • art, drawing, exhibitions, sculpture, year 2019 • Tags: art, Barbara Lewis, drawing, exhibitions, sculpture
We’ve all seen it a hundred times, identified with it and even messaged using an emoticon version of Edvard Munch’s skull-like face, clutched by hands raised in horror in a distorted, nightmarish world.
By Barbara Lewis • art, drawing, exhibitions, painting, year 2019 • Tags: art, Barbara Lewis, drawing, exhibitions
If Brexit is the result of a backward-looking nostalgia, the Swinging London of the Chelsea Set was the opposite: it marked a determination to move on from the devastation and austerity left by World War II.
By Barbara Lewis • design, exhibitions, fashion, history, society, year 2019 • Tags: Barbara Lewis, design, exhibitions, fashion, history, society
Almost exactly 100 years ago on April 13, in Amritsar, the British Indian Army fired into a crowd of unarmed Punjabis, killing and harming hundreds. Director Phil Wilmott marks this appalling example of man’s inhumanity to man by transporting Othello from Venice and Cyprus to the India of the British Raj.
By Barbara Lewis • plays, theatre, year 2019 • Tags: Barbara Lewis, plays, theatre
Edvard Munch from next year will be displayed in a new aluminium tower that has divided local opinion as it changes the skyline near Oslo’s iceberg-like opera house on the waterfront.
By Barbara Lewis • art, exhibitions, painting, year 2019 • Tags: art, Barbara Lewis, exhibitions, painting
Five hundred years ago, Peckham was green and pleasant. By the 1980s and 1990s, when two of its most famous fictional characters Del Boy and Rodney Trotter were plying their dodgy wares, even the pigeons wanted to be elsewhere, or so Rodney tells us.
By Barbara Lewis • comedy, musicals, theatre, year 2019 • Tags: Barbara Lewis, musicals, theatre
Marcus Brigstocke makes his play-writing and directorial debut as actors Bruce and Sam Alexander, father and son in real life, give drama and poignancy to a story that begins with the funeral of the father.
By Barbara Lewis • plays, theatre, year 2019 • Tags: Barbara Lewis, plays, theatre