Rosie Johnston appreciates the enthusiasm and energy in Fiona Sinclair’s latest collection
year 2019
Chilean singer-songwriter, poet, cult figure Violeta Parra’s most famous work “Gracias a la vida” can be viewed as an outpouring of gratitude – or as a suicide note.
Norbert Hirschhorn reflects on form and style in a major collection of Marilyn Hacker’s poetry
Joy Wilkinson’s latest play tells the story of a troupe of fictional women fighters scrabbling to earn a living in the real-life world of lady’s boxing in Victorian London and become world champion.
In the first exhibition to explore the evolution of Moore’s artistic obsession, the Wallace Collection brings together more than sixty sketches, drawings, maquettes and full-sized sculptures in plaster, lead and bronze, culminating in his seven Helmet Heads.
Tokyo: a bridge between tradition and modernity, by Carla Scarano D’Antonio. Compared to Kyoto, Tokyo is bigger, busier and cosmopolitan. My friend Ornella and I had plenty of time by ourselves as my daughter was busy with her course at the Bunka Gakuen University where she is attending a Master in Fashion and Design.
Kyoto was a revelation. I started to get a taste of Japan, its understated, silent and impeccable organisation and the ancestral and modern quality of Japanese culture.
Surrealism was the driving force that motivated Dorothea Tanning’s career from the 1930s until her death in New York in 2012. It offered her an alternative world that she explored going beyond everyday reality.
* The Summer 2019 issue of London Grip New Poetry features: * Ceinwen Haydon * Kathryn Southworth * Tom Sommerville * Joan Michelson * Stuart Gunter * Elizabeth Smither * Gillie Robic * Claudia Court * Mat Riches * Gareth Culshaw * Brian Docherty * Stuart Pickford * Jane Frank * Geraldine Gould * Michael […]
At the end of part one of this article, we saw the arrival of Nellie Cressall on the Isle of Dogs.
Charlie Hill considers Theresa Lola’s method of using poetry to deal with grief and loss
Don Carlo – or Don Carlos – in history was the mentally unstable son of Philip II of Spain whose brief betrothal to the woman his father later married and contacts with Protestant rebels in the Low Countries provided ammunition for the “black legend” propaganda whipped up by the opponents of his father’s rule.
By Barbara Lewis • music, opera, theatre, year 2019 • Tags: Barbara Lewis, music, opera, theatre