Stuart Henson reflects on the serendipity that led to the creation of a high-quality artist’s book from Redfox Press which combines photographic images with poems by John Greening
photography
If you can get along to Bethnal Green in the next three weeks, I highly recommend a visit to this exhibition of photographs. They document a dramatic period in the history of the East London.
In 1933, Hitler became Chancellor of Germany. In the world of fashion, shoulders broadened and the iconic 1930s shape became established.
This is a remarkable exhibition: Jennie Jewitt-Harris’s intricate collages, built in many cases on a foundation of pencil and charcoal drawings of driftwood, are a delight to the eye.
The AOP was set up in 1968 to publicise the work and protect the copyright of photographers active in the worlds of fashion and advertising.
These dark winter months, when accounts of inappropriate advances are rocking Westminster and Hollywood, are the perfect time for seeking light and sanity in the clean-cut, calm glamour of fashion photographer Louise Dahl-Wolfe.
On the whole, the curators have given the works the space they need and brought a coherent approach to displaying them in relation to each other, which provides the viewer with a largely satisfying experience.
Ryan’s Return: Brian Docherty takes a thoughtful and observant stroll through Sean O’Brien’s sombre version of West London
An exhibition of the extraordinary output of France’s Henri Cartier-Bresson, hailed as the founder of photojournalism and “the eye of the century”. That is true in the fullest sense of the words, given his exceptional ability to see the telling detail, or, in his own words, to seize the fact related to “the deep reality”.
Thomas Ovans is captivated by John Harvey’s skilful evocation of fond memories
By Michael Bartholomew-Biggs • books, photography, poetry reviews, year 2019 • Tags: books, photography, poetry, Thomas Ovans