If you can get along to Bethnal Green in the next three weeks, I highly recommend a visit to this exhibition of photographs. They document a dramatic period in the history of the East London.
photography
This is a remarkable exhibition: Jennie Jewitt-Harris’s intricate collages, built in many cases on a foundation of pencil and charcoal drawings of driftwood, are a delight to the eye.
The AOP was set up in 1968 to publicise the work and protect the copyright of photographers active in the worlds of fashion and advertising.
On the whole, the curators have given the works the space they need and brought a coherent approach to displaying them in relation to each other, which provides the viewer with a largely satisfying experience.
Ryan’s Return: Brian Docherty takes a thoughtful and observant stroll through Sean O’Brien’s sombre version of West London
I first came across the work of Delhi born artist Dayanita Singh in an exhibition and book, Myself Mona Ahmed (2001), a photo-essay about an aging eunuch transsexual (hijra) living in a graveyard in Old Delhi. In this extraordinary body of work – the book contains various different kinds of text alongside the photographs) – one sensed not only compassion, but a collaboration between the person in front of the camera, and the one looking through the lens.
Stuart Henson reflects on the serendipity that led to the creation of a high-quality artist’s book from Redfox Press which combines photographic images with poems by John Greening
By Michael Bartholomew-Biggs • art, books, photography, poetry reviews, year 2019 • Tags: art, books, photography, poetry, Stuart Henson