On the whole, the curators have given the works the space they need and brought a coherent approach to displaying them in relation to each other, which provides the viewer with a largely satisfying experience.
painting
Thomas Ovans browses an ambitious anthology of poems inspired by the artist Stanley Spencer and finds that every picture may tell several stories
Jenny Vuglar visits the Winifred Nicholson exhibition Liberation of Colour currently at the Djanogly Art Gallery, Lakeside Arts, Nottingham (4 March – 4 June 2017)
Overlooked for centuries, her paintings were often wrongly attributed to her father, Orazio Gentileschi. In the same period her work sank to a level of obscurity equal to that one of her greatest influences, Caravaggio. His reputation was restored in the 1920’s. Artemisia Gentileschi had to wait a little longer.
The cliché is that first novels are always autobiographical. Dutch writer Jeroen Blokhuis instead hides behind the biographical in his verbal portrait of one of the greatest painters his nation has produced.
Pablo Picasso (1881-1973) and Alberto Giacometti (1901-1966) were both sons of artists, both mastered realism at an early age, both left their native countries and both turned up in Paris, where they met for the first time in 1931 and enjoyed a working friendship that flourished until the 1950s.
Displayed are elaborate composites, built up from paintings and photographs that eventually result in portraits at once convincingly human, alien and heartless.
Howard Fritz – Paintings & Drawings At the Torriano Meeting House, 99 Torriano Avenue, London, NW5 2RX from January 12th 2016
Faces Then focuses on the 16th-century, regarded as the golden age of the portrait, when it was the rich, the powerful and the burgeoning bourgeoisie who could afford to have their portraits taken. Faces Now confines itself to the period since 1990, after the fall of the Berlin Wall, and, with it, the collapse of ideologies and artistic parameters.
In Brussels, art nouveau found its most complete expression in the architecture of Victor Horta. Now the Brussels’ Musees Royaux des Beaux Arts has devoted a huge new “Fin-de-Siecle” section, a museum in itself, to the artistic context in which he thrived.
Londongrip retrospective art exhibition – Michael Horovitz The paintings on this page are a selection from the work of Michael Horovitz, well-known British poet, performer and artist
“Matisse in the Studio” does not deliver the sensational overdoses of colour and the full-on confrontation with genius of the Tate blockbusters, but there is a place for this more digestible insight into the transformative way Matisse saw based on examining his use of “objets d’art” as inspiration.
By Barbara Lewis • exhibitions, painting, sculpture, year 2017 • Tags: art, Barbara Lewis, exhibitions, painting, sculpture