John Snelling finds an all too common “either/or” approach is replaced by a pleasingly inclusive “and/and” viewpoint throughout a kaleidoscopic collection by Marcus Smith
An exhibition of the extraordinary output of France’s Henri Cartier-Bresson, hailed as the founder of photojournalism and “the eye of the century”. That is true in the fullest sense of the words, given his exceptional ability to see the telling detail, or, in his own words, to seize the fact related to “the deep reality”.
One of the more unlikely joys of Brussels life is the rotating EU presidency. Every six months, a different member of the 28-strong European Union takes on the task of presiding over policy-making. For the citizens of Brussels, it’s a chance for a cultural mini break without the expense and inconvenience of braving the airport.
In Brussels, art nouveau found its most complete expression in the architecture of Victor Horta. Now the Brussels’ Musees Royaux des Beaux Arts has devoted a huge new “Fin-de-Siecle” section, a museum in itself, to the artistic context in which he thrived.
The Alternative Guide to the Universe, Hayward Gallery, 11 June – 26 August 2013. Souzu – Outsider Art from Japan, Wellcome Collection, 28 March – 30 June 2013.