Emma Lee reviews a handsome anthology of poems inspired by the South Lookout on Aldeburgh Beach
art
We are delighted to announce Spectrum’s competition, The Spectrum Art Prize. This is a new national award which celebrates the exciting work produced by artists on the autistic spectrum.
Michael Bartholomew-Biggs dips into a collection of ‘lost’ ekphrastic poems by R S Thomas
From stylised art nouveau temptresses to giant Tintin cartoons, Brussels has an established tradition of putting art on the outside of its buildings as well as inside. The capital’s newest gallery in a former brewery in Molenbeek – the neighbourhood notorious as a breeding ground of the Paris and Brussels terror attacks – captures that spirit.
As if an extraordinary imagination for fantastic, unsettling monsters and a genius ahead of his time for sensitive, naturalistic depictions of ordinary people weren’t enough, Hieronymous Bosch also had a modern knack for successful branding.
An introduction to poetry comics edited by Chrissy Williams & Tom Humberstone turns out to be something of a revelation for Richie McCaffery
Fiona Sinclair explores a picture & poem collaboration by Gordon Meade & Douglas Robertson
John Snelling finds an all too common “either/or” approach is replaced by a pleasingly inclusive “and/and” viewpoint throughout a kaleidoscopic collection by Marcus Smith
D A Prince finds Stuart Henson’s “Feast of Fools” hard to classify but easy to enjoy
Caroline Maldonado finds there are many possible ways of reading this chapbook of poems by Susan Wicks with artwork by Elizabeth Clayman
Howard Fritz – Paintings & Drawings At the Torriano Meeting House, 99 Torriano Avenue, London, NW5 2RX from January 12th 2016
Playing with ‘The Rules’: Brian Docherty considers an anthology whose poems could be viewed as case studies in ekphrasis – but also as much more than that.
By Michael Bartholomew-Biggs • art, books, poetry reviews, year 2017 • Tags: art, books, Brian Docherty, poetry