VAPOUR TRAILS: Roger Caldwell “reviews the reviewer” and discusses a collection of John Greening‘s writings on poets and poetry
Poetry review – MY MOTHER WITH A BEETLE IN HER HAIR: Edmund Prestwich finds that this Selima Hill collection blends a satisfying unity with surprising diversity
Poetry review – YES BUT WHAT IS THIS? WHAT EXACTLY? : Stuart Henson finds Ian McMillan’s poetry to be a mix of the good-humoured and the seriously thought-provoking
Poetry Review – LIMINAL: Adele Ward reviews Laura Fusco’s collection translated from the Italian by Caroline Maldonado
Poetry review – PAPER CUT: Richie McCaffery enjoys the approachability of Hamish Whyte’s poems – but warns the reader not to underestimate them
Poetry review – EX-CHANGES: Peter Ualrig Kennedy expresses his admiration for Antony Johae’s intriguing poems of reminiscence
Poetry review – A DINNER PARTY IN THE HOME COUNTIES: Emma Lee credits Reshma Ruia with being able to spot and to use the small but telling details of a social encounter.
Poetry review – TO DARN, TO MEND, TO INTERWEAVE: Chris Beckett reviews a very personal collection by Jo Roach in which the past is intermingled with the present
Poetry review – ALONENESS IS A MANY-HEADED BIRD: Wendy Klein finds a collaborative collection by Rosie Jackson and Dawn Gorman to be compulsive reading
Poetry review – ZOMBIES AT THE DISCO: Charles Rammelkamp gets to know quite a lot about Alison Stone through her autobiographical ghazals
Poetry review – THE KINDNESS OF THE EEL: P.W. Bridgman finds both magic and hope at the heart of Ben Ray’s poetry
At the start of 2020, Southwark Playhouse commissioned a group of playwrights to write short plays. The aim was for them to be performed on stage by the Elders Company, the playhouse’s drama group for anyone aged 65 and over, but then lockdown came along.
By Barbara Lewis • performance, plays, theatre, year 2021 • Tags: Barbara Lewis, performance, plays, theatre