As You Like It. Review by Barbara Lewis. Shakespeare famously was for all time, and yet this version of As You Like It feels uniquely relevant to our age.
Poetry review – THE FIELD OF HAPPINESS: Robert Cooperman is pretty happy with Charles Rammelkamp’s new collection
Poetry review – THE SLEEP ROAD : Nell Prince enjoys the first full collection by Stewart Sanderson
Fashioning Masculinities: The Art of Menswear. V&A. Review by Carla Scarano. A fluidity that looks for alternative concepts of masculinity that trespasses traditional roles and expresses the possibilities of the individual is the main focus of the V&A exhibition.
Poetry review – A TRIPTYCH OF BIRDS & A FEW LOOSE FEATHERS: Carla Scarano reviews a debut collection by Pratibha Castle
Poetry review – CHANGE: Bill Jenkinson appreciates a wide-ranging and richly varied collection by Gill Learner
Diamonds of the Night (1964) / The Party and The Guests (1966). Review by Alan Price. Both of these Nemec films have been beautifully restored on Second Run. They are essential viewing for an understanding of how brave and uncompromising 60’s Czech cinema dared to be.
Poetry review – A KIND OF SILENCE: Carla Scarano considers a debut pamphlet by Barbara Hickson
Crazy: The Madness of Contemporary Art. Review by Carla Scarano. The thought-provoking and engrossing new exhibition at the enchanting Chiostro del Bramante in the centre of Rome near Piazza Navona absorbs the viewer well before the entrance of the exhibition and beyond the exit.
THE FACT OF MEMORY: Charles Rammelkamp browses a collection of essays by Aaron Angello
Poetry review – HOTEL ANONYMOUS: Stephen Claughton enjoys imaginative and often mysterious poems by Mike Barlow
OFFCUMDENS: Sue Wallace-Shaddad reviews a poem & photograph collaboration by Bob Hamilton & Emma Storr
By Michael Bartholomew-Biggs • books, photography, poetry reviews, year 2022 1 • Tags: books, photography, poetry, Sue Wallace-Shaddad