Poetry review – THE MULBERRY TREE: Mat Riches takes a thoughtful look at Clare Crossman’s final collection
year 2022

Poetry review – THE GREAT COMET OF 1996 FORETELLS: Colin Pink reviews a varied and vivid collection by Konstandinos Mahoney

Pickpocket (Robert Bresson). Review by Alan Price. Published in 1975 Bresson’s tantalisingly philosophical book Notes on the Cinematograph consists of notes, fragments, observations, wise lists about life and the difficult challenges of filmmaking. Bresson’s remark about the camera’s ability to indifferently record life happening un-dramatically, in front of the lens, feels more than appropriate for his 1959 film Pickpocket.

Milton Avery. Royal Academy. Review by Graham Buchan. Milton Avery must be considered as a bridge between art movements rather than a singular trail-blazer for any particular group.

Raphael, National Gallery. Review by Carla Scarano. The comprehensive exhibition at the National Gallery on Raffaello Sanzio’s career is an impressive and exceptional display of his most famous paintings as well as his achievements as a printmaker, architect, archaeologist, sculptor, entrepreneur and chief architect of the new basilica of St Peter.

Poetry Review – THERE MAY NOT BE A REASON WHY: Julie Hogg is deeply impressed by Nicki Heinen’s debut collection
Poetry review – KIN: Emma Lee is impressed by a collection by Karl Knights which uses poetry to convey something of the experience of disability
By Michael Bartholomew-Biggs • books, poetry reviews, year 2022 0 • Tags: books, Emma Lee, poetry