Poetry Review – The Shadow Factory: Rachael Clyne admires Deborah Harvey’s confident and accomplished handling of her themes
year 2020
Poetry review – I May Be Stupid But I’m Not That Stupid: Charles Rammelkamp finds puzzles to enjoy in Selima Hill’s substantial collection
Bernstein’s 45-minute, one-act opera Trouble in Tahiti is his only oeuvre for which he wrote both words and music and he made the language plain to ensure realism.
Poetry review – The Whispering Sky: Carla Scarano finds rather sombre messages in Richard Kell’s well-crafted poetry
Poetry review – Zoospeak: Peter Ualrig Kennedy is extremely impressed by Gordon Meade’s latest collection in collaboration with photographer Jo-Anne McArthur
Poetry review – The Untethered Space: Pat Edwards finds that Carol A Caffrey’s very personal poems are able to speak to the general reader
Poetry Review – This Tilting Earth: Adele Ward reviews Jane Lovell’s new pamphlet which is full of concern for our planet
Poetry Review – The Unmapped Woman: Rennie Halstead examines loss in Abegail Morley’s latest collection
U.S. folk musician Jay Ungar composed his Ashokan Farewell in 1982 shortly after violin and dance camps he had been running in Ashokan, New York state, ended for the season.
Her Other Language: Wendy French gets to grips with a bold and frank anthology addressing domestic violence
Poetry review – Contains Mild Peril: Daniel Bennett admires Fran Lock’s poetry for its blend of the imaginative and the concrete
by Michael Bartholomew-Biggs • books, poetry reviews, year 2020 • Tags: Adele Ward, books, poetry • 0 Comments
Poetry Review – John Dust: Adele Ward finds enjoyable surprises in Louise Warren’s new pamphlet