London Grip Poetry Review – Linnell
Graham Hardie browses an enjoyably varied chapbook collection from Maxine Linnell
year 2017
Robert Desnos: Surrealist, Lover, Resistant
Roger Caldwell considers an impressively substantial volume of poems by Robert Desnos with translations by Timothy Adès
London Grip Poetry Review – Bland
John Forth investigates the thinking behind the poems in Peter Bland’s latest collection
London Grip Poetry Review – Hardy
Peter Ualrig Kennedy finds real depths in Chris Hardy’s recent collection.
London Grip Poetry Review – Coles
Thomas Ovans looks at myth and reality as handled in a debut pamphlet from Kitty Coles
Hal Cazalet: Play on Words, Crazy Coqs, Zedel, London. Review by Barbara Lewis.
To most Britons, P.G. Wodehouse is known as the creator of quaint, comic novels starring the blundering upper class twit Bertie Wooster and his astute valet Jeeves. He also contributed lyrics and stories to a wealth of musicals and his step great grandson, the opera singer Hal Cazalet, who as a child slept in a room beneath the Wodehouse archive, tells us he only got to know P.G. Wodehouse’s prose through the song lyrics.
Pop-Up Opera – Hansel and Gretel. Review by Julia Pascal.
Hansel and Gretel was originally written by The Brothers’ Grimm in 1912. It is a folk tale, showing how a brother and sister avoid being eaten alive by a witch in the gingerbread house. It is a tale that seems to foreshadow the Third Reich.
Wayne McGregor. Sadler’s Wells. “Autobiography”. Review by Primrose MacFay
Wayne McGregor is the choreographer of the moment, the brainiest bloke on the block. That this must be so is confirmed by the scale of the recognition he receives, as much from rapturous young audiences as from battle-hardened institutions.
London Grip Poetry Review – Susko
Emma Lee examines Mario Susko’s compassionate approach to poems about conflict
London Grip Poetry Review – Roe
Thomas Ovans is surprised – but in a good way – by some subtle oddities in John Roe’s use of language
London Grip Poetry Review – Thomas
Graham Hardie takes particular note of the wide range of the poems in a debut pamphlet by Robin Thomas.
Rachel Whiteread, Tate Britain, London. Review by Barbara Lewis.
For an artist whose career is based on confronting the spaces we either ignore or deliberately avoid, the now-demolished BBC office that reputedly inspired Room 101 in George Orwell’s 1984 is perfect subject-matter.