The Museum Carlo Bilotti is located in the elegant edifice of the Orangery in the park of Villa Borghese. It is one of the many and interesting museums of the Municipality of Rome scattered around the capital, and is free of charge.
This is a remarkable exhibition: Jennie Jewitt-Harris’s intricate collages, built in many cases on a foundation of pencil and charcoal drawings of driftwood, are a delight to the eye.
Born in the Normandy port of Honfleur in 1824, son of a mariner and whose dying wish was to return to the coast, Eugene Boudin had an instinctive understanding of the play of light on water and in the sky.
Views of different countries combining practical observations and ideal visions are the focus of two major exhibitions occurring in Rome: Turner: work from Tate and Hiroshige: visions from Japan.
One of the joys of the MASP in the Paulista Avenue, Sao Paulo’s equivalent of the Champs Elysees, is that when you pay for entry (every day except Tuesday) nearly everyone else is too busy making or spending money to block your view of old and new masters.
John Lucas reviews a genuinely interesting collection of essays by Jim Burns – and adds some equally interesting observations of his own
The Danes have given us “hygge” as a not directly translate-able concept particular to their culture. The Cornish offer “hireth” to refer to an intangible feeling, a longing for the familiarity and comfort of a place.
I expected this to be an exhibition focusing on the links between art and T.S Eliot. Journeys with ‘The Waste Land’s is however something more unique. It is an exhibition that focuses purely on this extraordinary poem with all its contexts, voices and virtuosity.