Milton Avery. Royal Academy. Review by Graham Buchan. Milton Avery must be considered as a bridge between art movements rather than a singular trail-blazer for any particular group.
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Raphael, National Gallery. Review by Carla Scarano. The comprehensive exhibition at the National Gallery on Raffaello Sanzio’s career is an impressive and exceptional display of his most famous paintings as well as his achievements as a printmaker, architect, archaeologist, sculptor, entrepreneur and chief architect of the new basilica of St Peter.
Francis Bacon: Man and Beast. Review by Graham Buchan. “Life is suffering”. If you need visual confirmation of that, look no further than this great exhibition of Francis Bacon’s work.
The Roman School of Painting at Villa Torlonia. Review by Carla Scarano. The impressive compound of Villa Torlonia, which is in via Nomentana in Rome, is the result of the development of various buildings in the natural environment of the park.
Hogarth and Europe: Uncovering City Life. Tate Britain Until 22 March 2022. Review by Carla Scarano.
The exhibition highlights Hogarth’s artistic connections with his European contemporary artists and his satirical depiction and moral flogging of Georgian Britain.
Poussin and the Dance. National Gallery Until January 2022 Whirling movements, careful choreography and harmonious compositions characterise the works of Poussin that are on display at the exhibition at the National Gallery. He cleverly combined a rigorous study of Greek and Roman antiquities with Baroque sensitivity.
Late Constable, Royal Academy. Review by Graham Buchan. Frankly, I find it hard to imagine anyone liking the bulk of Constable’s works more than the bulk of Turner’s. The two painters, almost exact contemporaries, differed in their backgrounds and their approaches to their art.
Edvard Munch. Masterpieces from Bergen. Review by Barbara Lewis. “Disease, insanity and death were the angels that attended my cradle,” Edvard Munch wrote. They went on to haunt him for the rest of his life and to become the driving forces of his art.
By Barbara Lewis • art, exhibitions, painting, year 2022 • Tags: art, Barbara Lewis, exhibitions, painting