Dürer’s Journeys, Travels of a Renaissance Artist. Review by Barbara Lewis.
Billed as the first major UK exhibition of Albrecht Dürer in nearly 20 years, ‘Dürer’s Journeys’ explores how travel filled him with wonder, stocked his mind with images and shaped not just his art, but that of his contemporaries.
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Poussin and the Dance. National Gallery Until January 2022 Whirling movements, careful choreography and harmonious compositions characterise the works of Poussin that are on display at the exhibition at the National Gallery. He cleverly combined a rigorous study of Greek and Roman antiquities with Baroque sensitivity.
Georgia O’Keeffe. Review by Barbara Lewis. For those in any doubt, the first retrospective in Paris of Georgia O’Keeffe overwhelmingly makes the case that there is even more to the first woman artist to be taken seriously by critics, collectors and art museums than her gigantic sensual flowers.
Late Constable, Royal Academy. Review by Graham Buchan. Frankly, I find it hard to imagine anyone liking the bulk of Constable’s works more than the bulk of Turner’s. The two painters, almost exact contemporaries, differed in their backgrounds and their approaches to their art.
Thesmophoria in ancient Greek religion is a festival typically held in late autumn in honour of the goddess Demeter and her daughter Persephone. A celebration of human and agricultural fertility, it has been interpreted as the carrying on of things laid down.
The Norwich School of Painting at Norwich Castle. Founded in 1803 by John Crome (1768-1821) and Robert Ladbrooke (1768-1842), the Norwich Society of Artists, later joined by John Sell Cotman (1782-1842) was the first English artistic movement outside London. Of far greater than merely regional influence, it can be credited with establishing the views […]
Paula Rego, Tate Britain. Review by Carla Scarano. The retrospective comprehensive exhibition of Paula Rego’s work spans sixty years of her career and shows her multimedia approach as well as her multi-faceted view and political commitment.
A Fine Day for Seeing: ten artists/ten poets. In the wide art world, artists are often inspired by literature and writers write about artworks. This exhibition focuses on the collaboration between ten internationally known artists and ten renowned poets.
Paula Rego, Tate Britain. Review by Graham Buchan. The Anglo-Portuguese artist Paula Rego, now in her 86th year, has forged a long career in a variety of media including sculpture and etchings.
Both artists celebrate the regenerative forces of nature to which we have been sensitised by months of lockdown and both exhibitions are a joyful celebration of a cautious reopening after a period of painful reflection.
A fellow pupil of Leipzig master Bernhard Heisig is the artist ANTOINETTE, who uses only her first name written in capitals. In common with Rauch and other Leipzig artists, she combines meticulous representation with the fantastic or surreal.
Hogarth and Europe: Uncovering City Life. Tate Britain Until 22 March 2022. Review by Carla Scarano.
The exhibition highlights Hogarth’s artistic connections with his European contemporary artists and his satirical depiction and moral flogging of Georgian Britain.
By Carla Scarano • art, drawing, exhibitions, painting, year 2021 • Tags: art, Carla Scarano, drawing, exhibitions, painting