Kimono: Kyoto to Catwalk. Victoria and Albert Museum. Review by Carla Scarano. The complex evolution and rich cultural significance of the kimono are thoroughly explored in the exhibition at the V&A.
exhibitions
Towner, Eastbourne. Alan Davie and David Hockney: Early Works – plus other exhibitions. Review by Barbara Lewis.
Raphael: The exhibition was organised in collaboration with the Uffizi Galleries and acts as a flash-back to Raphael’s life and career. It starts from his sudden death in Rome five hundred years ago.
Léon Spilliaert was an insomniac. He walked a great deal in the dead of night and developed an appreciation of all the shades of darkness that establish the still, silent, brooding atmosphere of his work displayed in a long overdue first British monograph exhibition at the Royal Academy.
The risk for any exhibition at Two Temple Place – a glorious late Victorian mansion at Temple, central London – is that the wood carving and stained-glass beauty of the building will steal the show.
In Translation: an exhibition of poetry by Katherine Venn at the Westbourne Grove Church ArtSpace
The fascinating venue of Chiostro del Bramante at Arco della Pace near piazza Navona in the centre of Rome again hosts an exhibition in collaboration with Tate Britain. This time, the artworks of two major British painters, Francis Bacon and Lucian Freud, are together on display.
William Blake
Venue: Tate Britain, London, until February 2
Curated by Martin Myrone and Amy Concannon
The revolutionary attitude that Mary Quant’s iconic outfits convey strikes the viewer at the V&A retrospective exhibition. She is considered one of the most influential fashion designer of the 1960s.
In 1894, Edouard Michelin, the fine artist of a gifted family, looked at a pile of tyres and said to his engineer brother André: “With arms and legs, that would look like a man.”
In the astonishing setting of Kew Gardens, the organic shapes and luminous colours of Chihuly’s glass sculptures stand out and merge with the landscape.
Pallant House Gallery. Barnett Freedman: Designs for Modern Britain. Review by Barbara Lewis. Painter and teacher Paul Nash referred to the group of artists he taught in the early 1920s as “an outbreak of talent”.
By Barbara Lewis • art, design, drawing, exhibitions, painting, year 2020 • Tags: art, Barbara Lewis, design, drawing, exhibitions, painting