Surrealism Beyond Borders. Review by Barbara Lewis. Surrealism has never respected borders of any kind. As a movement, it crystallised in 1924 in Paris, and, even then, some artists questioned whether they could belong to something that by definition defied easy categorisation.
drawing
![Adriana Pincherle, Nude with shawl Adriana Pincherle, Nude with shawl](https://londongrip.co.uk/wp-content/uploads/2022/01/Adriana-Pincherle-Nude-with-shawl-180x135.jpg)
The Roman School of Painting at Villa Torlonia. Review by Carla Scarano. The impressive compound of Villa Torlonia, which is in via Nomentana in Rome, is the result of the development of various buildings in the natural environment of the park.
![A Rakes progress The orgy A Rakes progress The orgy](https://londongrip.co.uk/wp-content/uploads/2021/12/A-Rakes-progress-The-orgy-180x168.jpg)
Hogarth and Europe: Uncovering City Life. Tate Britain Until 22 March 2022. Review by Carla Scarano.
The exhibition highlights Hogarth’s artistic connections with his European contemporary artists and his satirical depiction and moral flogging of Georgian Britain.
![The Great Wave off Kanagawa The Great Wave off Kanagawa](https://londongrip.co.uk/wp-content/uploads/2021/12/The-Great-Wave-off-Kanagawa--180x122.jpg)
Hokusai: The Great Book of Everything. Review by Carla Scarano. A selection of 103 drawings from Katsushika Hokusai’s encyclopaedic book of pictures is on display for the first time, at The British Museum in room 90. This unique and ambitious collection was composed between the 1820s and the 1840s and survived because the book was never published.
![The Vivian Girls The Vivian Girls](https://londongrip.co.uk/wp-content/uploads/2021/08/The-Vivian-Girls-180x241.jpg)
Paula Rego, Tate Britain. Review by Carla Scarano. The retrospective comprehensive exhibition of Paula Rego’s work spans sixty years of her career and shows her multimedia approach as well as her multi-faceted view and political commitment.
![Iris Van Herpen, Infinity Dress Iris Van Herpen, Infinity Dress](https://londongrip.co.uk/wp-content/uploads/2021/08/Iris-Van-Herpen-Infinity-Dress-180x240.jpg)
Alice: Curiouser and Curiouser, Victoria and Albert Museum. Review by Carla Scarano. .”..a marvellous but unsettling journey through the origin of Alice’s stories and their adaptations and reinventions in films, art, music, fashion, photography and design.”
![Mali Morris, Ghost, 2017 Mali Morris, Ghost, 2017](https://londongrip.co.uk/wp-content/uploads/2021/08/Mali-Morris-Ghost-2017-180x164.jpg)
A Fine Day for Seeing: ten artists/ten poets. In the wide art world, artists are often inspired by literature and writers write about artworks. This exhibition focuses on the collaboration between ten internationally known artists and ten renowned poets.
London Now and The Art of Literature. Review by Barbara Lewis. Leonardo da Vinci, creator of Salvator Mundi, the most expensive painting sold yet, said: “painting is poetry that is seen rather than felt, and poetry is painting that is felt rather than seen”. Seller of the Salvator Mundi in 2017, Christie’s, which is cultivating its image as so much more than a place where very rich people spend millions, has taken his words as part of the inspiration for an exhibition open free to the public that showcases teasingly the latest lots next to rarely seen, privately-held works that are not for sale.
By Barbara Lewis • art, books, drawing, exhibitions, painting, year 2022 • Tags: art, Barbara Lewis, books, drawing, painting