The Ingram Collection: Revisiting British Art. Review by Carla Scarano. British art is popular, and it is well known that it comes in a variety of styles. The turn of the 20th century saw more diverse and challenging artworks being produced using all kinds of materials and being presented in different ways and from different social and political angles.
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The Lindisfarne Gospels at Laing Art Gallery. Review by Carla Scarano. At the renowned Laing Art Gallery in Newcastle a new and enthralling exhibition features the Lindisfarne Gospels, which are on loan from the British Library until the 3rd of December 2022.
Casa Balla. Review by Carla Scarano. Giacomo Balla was an Italian painter, who moved with his family to 39b, via Oslavia, near piazza Mazzini, in June 1929. Balla, his wife, Elisa, and his daughters, Luce and Elica, transformed the house into a work of art, a workshop of sorts in which he experimented with his futurist theories.
Feminine Power: the divine and the demonic. Review by Carla Scarano. The Citi exhibition at the British Museum is a thought-provoking and diverse display of more than 80 artefacts and contemporary artworks that draw from the museum’s collections, loans and new commissions. They reveal the complexity of the representation of more than 5,000 years of femininity in cultures and religions around the world.
Royal Academy of Arts Summer Exhibition 2022. Review by Carla Scarano. ‘Climate’ is the theme of the Summer Exhibition 2022 at the Royal Academy of Arts, an unmissable event. The urgency of the climate crisis and global warming has inspired interesting and original pieces that sometimes explore and at other times defy and protest against such an important issue that is putting at risk our life on the planet.
London Now and The Art of Literature. Review by Barbara Lewis. Leonardo da Vinci, creator of Salvator Mundi, the most expensive painting sold yet, said: “painting is poetry that is seen rather than felt, and poetry is painting that is felt rather than seen”. Seller of the Salvator Mundi in 2017, Christie’s, which is cultivating its image as so much more than a place where very rich people spend millions, has taken his words as part of the inspiration for an exhibition open free to the public that showcases teasingly the latest lots next to rarely seen, privately-held works that are not for sale.
Surrealism Beyond Borders. Review by Barbara Lewis. Surrealism has never respected borders of any kind. As a movement, it crystallised in 1924 in Paris, and, even then, some artists questioned whether they could belong to something that by definition defied easy categorisation.
The Roman School of Painting at Villa Torlonia. Review by Carla Scarano. The impressive compound of Villa Torlonia, which is in via Nomentana in Rome, is the result of the development of various buildings in the natural environment of the park.
Hogarth and Europe: Uncovering City Life. Tate Britain Until 22 March 2022. Review by Carla Scarano.
The exhibition highlights Hogarth’s artistic connections with his European contemporary artists and his satirical depiction and moral flogging of Georgian Britain.
Hokusai: The Great Book of Everything. Review by Carla Scarano. A selection of 103 drawings from Katsushika Hokusai’s encyclopaedic book of pictures is on display for the first time, at The British Museum in room 90. This unique and ambitious collection was composed between the 1820s and the 1840s and survived because the book was never published.
Dürer’s Journeys, Travels of a Renaissance Artist. Review by Barbara Lewis.
Billed as the first major UK exhibition of Albrecht Dürer in nearly 20 years, ‘Dürer’s Journeys’ explores how travel filled him with wonder, stocked his mind with images and shaped not just his art, but that of his contemporaries.
SOMETIME, IN A CHURCHYARD: Pat Edwards finds that the past is brought to life by a combination of Louise Warren’s poetry and Charlotte Harker’s drawings
By Michael Bartholomew-Biggs • authors, books, drawing, history, poetry reviews, year 2022 0 • Tags: authors, books, drawing, history, Pat Edwards, poetry