Tantra: enlightenment to revolution, British Museum. Review by Carla Scarano. culture and tradition are as alive as ever today, as the comprehensive and exhaustive exhibition at the British Museum shows.
Pallant House Gallery. Barnett Freedman: Designs for Modern Britain. Review by Barbara Lewis. Painter and teacher Paul Nash referred to the group of artists he taught in the early 1920s as “an outbreak of talent”.
Raphael: The exhibition was organised in collaboration with the Uffizi Galleries and acts as a flash-back to Raphael’s life and career. It starts from his sudden death in Rome five hundred years ago.
Starting from Alice in Wonderland, re-told as Alice St Claire by Hoshino Yukinobu, the Citi Exhibition Manga at the British Museum invites the visitors to enter the rabbit hole of the fabulous manga imaginary world.
One million plastic bottles are bought every minute and most of them are not recycled. It’s a stark reality Claire Davenport and Grioghair McCord were moved to explore after a trip to a Shetland beach littered with plastic bottles.
In the first exhibition to explore the evolution of Moore’s artistic obsession, the Wallace Collection brings together more than sixty sketches, drawings, maquettes and full-sized sculptures in plaster, lead and bronze, culminating in his seven Helmet Heads.
by Carla Scarano • architecture, art, design, drawing, exhibitions, fashion, festivals, food, history, installations, painting, poetry, sculpture, society, travel, year 2019 • Tags: architecture, art, Carla Scarano, design, drawing, exhibitions, fashion, festivals, food, installations, painting, poetry, sculpture, society, travel •
Tokyo: a bridge between tradition and modernity, by Carla Scarano D’Antonio. Compared to Kyoto, Tokyo is bigger, busier and cosmopolitan. My friend Ornella and I had plenty of time by ourselves as my daughter was busy with her course at the Bunka Gakuen University where she is attending a Master in Fashion and Design.
Surrealism was the driving force that motivated Dorothea Tanning’s career from the 1930s until her death in New York in 2012. It offered her an alternative world that she explored going beyond everyday reality.
The ideal venue of the Municipal Gallery of Modern Art in via Francesco Crispi in Rome displays a vast range of pictures and sculptures from the Capitoline collections retracing the interpretation and development of the female form and her artistic personality from the end of the nineteenth century until today.
We’ve all seen it a hundred times, identified with it and even messaged using an emoticon version of Edvard Munch’s skull-like face, clutched by hands raised in horror in a distorted, nightmarish world.