Art is at its most powerfully dramatic when it gives voice to the oppressed. By using the device of a play within a play to utmost effect, The Island communicates the oppression of a recent generation by drawing on tragic defiance from classical times.
Barbara Lewis
About Barbara Lewis
Posts by Barbara Lewis:

Richard III manages to be at once resounding royal propaganda and an unsettling reminder of the fragility of the status quo given Elizabeth I’s lack of an heir: the Tudors had rescued the kingdom from the murderous House of York, but they hadn’t secured the future for long.
By Barbara Lewis • plays, theatre, year 2017 • Tags: Barbara Lewis, plays, theatre

Sarah Leavesley’s imaginary Claire is advised to write by a psychiatrist, as doctor and patient try to piece together a life as shattered as the glass in a kaleidoscope.
By Barbara Lewis • books, psychotherapy, year 2017 • Tags: Barbara Lewis, books, poetry, psychotherapy

Posterity remembers Emma Hamilton as the mistress of Nelson. The reality is her achievements in the society salon were in their way as brave and out of the ordinary as his naval exploits.
By Barbara Lewis • exhibitions, history, year 2017 • Tags: Barbara Lewis, exhibitions, history

The cliché is that first novels are always autobiographical. Dutch writer Jeroen Blokhuis instead hides behind the biographical in his verbal portrait of one of the greatest painters his nation has produced.
By Barbara Lewis • art, books, year 2017 • Tags: art, art history, Barbara Lewis, books, painting

Le Corbusier has mostly gone down in history as a visionary Swiss urban planner. For the thousands forcibly evicted from District Six in Cape Town, he has a more sinister resonance as the proponent of “the surgical method” – as mentioned in the notorious apartheid-era Group Areas Act – of sweeping away what he saw as chaos and disorder.
By Barbara Lewis • history, society, year 2017 • Tags: Barbara Lewis, history, society

From stylised art nouveau temptresses to giant Tintin cartoons, Brussels has an established tradition of putting art on the outside of its buildings as well as inside. The capital’s newest gallery in a former brewery in Molenbeek – the neighbourhood notorious as a breeding ground of the Paris and Brussels terror attacks – captures that spirit.
By Barbara Lewis • art, drawing, exhibitions, installations, painting, year 2016 • Tags: art, Barbara Lewis, drawing, exhibitions, installations

As if an extraordinary imagination for fantastic, unsettling monsters and a genius ahead of his time for sensitive, naturalistic depictions of ordinary people weren’t enough, Hieronymous Bosch also had a modern knack for successful branding.
By Barbara Lewis • art, drawing, exhibitions, painting, year 2016 • Tags: art, art history, Barbara Lewis, drawing, exhibitions

Northern Ireland’s permanent representation in Brussels periodically brings to the capital of Europe a sample of Northern Irish culture in a spirit of cross-cultural exchange that risks being disrupted in the event of a Brexit.
By Barbara Lewis • jazz, music, performance, society, theatre, year 2016 • Tags: Barbara Lewis, jazz, music, performance, society
An exhibition of the extraordinary output of France’s Henri Cartier-Bresson, hailed as the founder of photojournalism and “the eye of the century”. That is true in the fullest sense of the words, given his exceptional ability to see the telling detail, or, in his own words, to seize the fact related to “the deep reality”.
By Barbara Lewis • art, exhibitions, photography, year 2015 • Tags: art, Barbara Lewis, exhibitions, photography
With their green goats, giant roosters and bridal couples flying through the air, Marc Chagall’s works appear fantastic, but he insisted he only painted direct reminiscences of his own life.
By Barbara Lewis • art, exhibitions, painting, year 2015 • Tags: art, Barbara Lewis, exhibitions
In a capitalist society, we’re nearly all hired hands, but the extent of the exploitation is more or less pernicious. Melvyn Bragg’s gritty, Northern, sweeping tale ultimately finds the best option for the ordinary man is to accept a pittance to work above ground rather than to toil in a futile World War I trench or in a narrow coal seam beneath the sea.
By Barbara Lewis • musicals, plays, theatre, year 2017 • Tags: Barbara Lewis, musicals, plays, theatre