Dürer’s Journeys, Travels of a Renaissance Artist. Review by Barbara Lewis.
Billed as the first major UK exhibition of Albrecht Dürer in nearly 20 years, ‘Dürer’s Journeys’ explores how travel filled him with wonder, stocked his mind with images and shaped not just his art, but that of his contemporaries.
exhibitions
Poussin and the Dance. National Gallery Until January 2022 Whirling movements, careful choreography and harmonious compositions characterise the works of Poussin that are on display at the exhibition at the National Gallery. He cleverly combined a rigorous study of Greek and Roman antiquities with Baroque sensitivity.
Georgia O’Keeffe. Review by Barbara Lewis. For those in any doubt, the first retrospective in Paris of Georgia O’Keeffe overwhelmingly makes the case that there is even more to the first woman artist to be taken seriously by critics, collectors and art museums than her gigantic sensual flowers.
Late Constable, Royal Academy. Review by Graham Buchan. Frankly, I find it hard to imagine anyone liking the bulk of Constable’s works more than the bulk of Turner’s. The two painters, almost exact contemporaries, differed in their backgrounds and their approaches to their art.
Thesmophoria in ancient Greek religion is a festival typically held in late autumn in honour of the goddess Demeter and her daughter Persephone. A celebration of human and agricultural fertility, it has been interpreted as the carrying on of things laid down.
The Norwich School of Painting at Norwich Castle. Founded in 1803 by John Crome (1768-1821) and Robert Ladbrooke (1768-1842), the Norwich Society of Artists, later joined by John Sell Cotman (1782-1842) was the first English artistic movement outside London. Of far greater than merely regional influence, it can be credited with establishing the views […]
Bags: Inside Out Victoria and Albert Museum Until 19 January 2022 The functional use of bags has a symbolic significance that is thoroughly explored in this V&A exhibition.
The Regency Wardrobe at Firle Place. Review by Barbara Lewis. Two centuries after the Regency period officially ended, Jane Austen adaptations and the U.S. series Bridgerton have revived passions for Empire waistlines, corsets and fetching bonnets.
Paula Rego, Tate Britain. Review by Carla Scarano. The retrospective comprehensive exhibition of Paula Rego’s work spans sixty years of her career and shows her multimedia approach as well as her multi-faceted view and political commitment.
Alice: Curiouser and Curiouser, Victoria and Albert Museum. Review by Carla Scarano. .”..a marvellous but unsettling journey through the origin of Alice’s stories and their adaptations and reinventions in films, art, music, fashion, photography and design.”
Nero: The Man behind the Myth. British Museum. Review by Carla Scarano. Nero, a young Roman emperor and the last ruler of the first dynasty, the Julio-Claudian dynasty, reigned for fourteen years, from AD 54 to AD 68. His legacy is still controversial and is the subject of this exhibition at the British Museum
Hokusai: The Great Book of Everything. Review by Carla Scarano. A selection of 103 drawings from Katsushika Hokusai’s encyclopaedic book of pictures is on display for the first time, at The British Museum in room 90. This unique and ambitious collection was composed between the 1820s and the 1840s and survived because the book was never published.
By Carla Scarano • art, drawing, exhibitions, year 2021 • Tags: art, Carla Scarano, drawing, exhibitions