Poetry review – SAME DIFFERENCE: Pat Edwards is impressed by Ben Wilkinson’s poetic versatility
My Fair Lady. English National Opera. Review by Julia Pascal. My Fair Lady, the musical version of George Bernard Shaw’s 1912 play Pygmalion is staged at the English National Opera this summer.
Poetry review – LEMONADE IN THE ARMENIAN QUARTER: Rennie Halstead welcomes the messages of love and forgiveness in Sarah Mnatzaganian’s pamphlet
Poetry review – WAYS OF HEALING: Emma Lee finds emotional depth in a new collection by Charlotte Shevchenko Knight
Larks on a String, Jiri Menzel. Review by Alan Price. The opening twenty three minutes of Larks on a String are exhilarating. They set the tone for the rest of this marvellous film whose lyric and comic surface has a deceptively light touch barely masking the pain experienced in its totalitarian landscape.
Poetry review – KIN: Emma Lee is impressed by a collection by Karl Knights which uses poetry to convey something of the experience of disability
Poetry review – THE MULBERRY TREE: Mat Riches takes a thoughtful look at Clare Crossman’s final collection
Poetry review – THE GREAT COMET OF 1996 FORETELLS: Colin Pink reviews a varied and vivid collection by Konstandinos Mahoney
Pickpocket (Robert Bresson). Review by Alan Price. Published in 1975 Bresson’s tantalisingly philosophical book Notes on the Cinematograph consists of notes, fragments, observations, wise lists about life and the difficult challenges of filmmaking. Bresson’s remark about the camera’s ability to indifferently record life happening un-dramatically, in front of the lens, feels more than appropriate for his 1959 film Pickpocket.
Poetry review – YOUR NEARNESS: Edmund Prestwich finds it rewarding to tackle the difficult aspects of Forrest Gander’s poetry
By Michael Bartholomew-Biggs • books, poetry reviews, year 2022 1 • Tags: books, Edmund Prestwich, poetry