Edvard Munch. Masterpieces from Bergen. Review by Barbara Lewis. “Disease, insanity and death were the angels that attended my cradle,” Edvard Munch wrote. They went on to haunt him for the rest of his life and to become the driving forces of his art.
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Milton Avery. Royal Academy. Review by Graham Buchan. Milton Avery must be considered as a bridge between art movements rather than a singular trail-blazer for any particular group.
Raphael, National Gallery. Review by Carla Scarano. The comprehensive exhibition at the National Gallery on Raffaello Sanzio’s career is an impressive and exceptional display of his most famous paintings as well as his achievements as a printmaker, architect, archaeologist, sculptor, entrepreneur and chief architect of the new basilica of St Peter.
London Now and The Art of Literature. Review by Barbara Lewis. Leonardo da Vinci, creator of Salvator Mundi, the most expensive painting sold yet, said: “painting is poetry that is seen rather than felt, and poetry is painting that is felt rather than seen”. Seller of the Salvator Mundi in 2017, Christie’s, which is cultivating its image as so much more than a place where very rich people spend millions, has taken his words as part of the inspiration for an exhibition open free to the public that showcases teasingly the latest lots next to rarely seen, privately-held works that are not for sale.
Fashioning Masculinities: The Art of Menswear. V&A. Review by Carla Scarano. A fluidity that looks for alternative concepts of masculinity that trespasses traditional roles and expresses the possibilities of the individual is the main focus of the V&A exhibition.
Crazy: The Madness of Contemporary Art. Review by Carla Scarano. The thought-provoking and engrossing new exhibition at the enchanting Chiostro del Bramante in the centre of Rome near Piazza Navona absorbs the viewer well before the entrance of the exhibition and beyond the exit.
Surrealism Beyond Borders. Review by Barbara Lewis. Surrealism has never respected borders of any kind. As a movement, it crystallised in 1924 in Paris, and, even then, some artists questioned whether they could belong to something that by definition defied easy categorisation.
Poetry review – THE HOUSE OF EVERYTHING: James Roderick Burns walks through the John Soane museum guided by Robert Seatter’s poetry
Francis Bacon: Man and Beast. Review by Graham Buchan. “Life is suffering”. If you need visual confirmation of that, look no further than this great exhibition of Francis Bacon’s work.
The Roman School of Painting at Villa Torlonia. Review by Carla Scarano. The impressive compound of Villa Torlonia, which is in via Nomentana in Rome, is the result of the development of various buildings in the natural environment of the park.
Hogarth and Europe: Uncovering City Life. Tate Britain Until 22 March 2022. Review by Carla Scarano.
The exhibition highlights Hogarth’s artistic connections with his European contemporary artists and his satirical depiction and moral flogging of Georgian Britain.
Royal Academy of Arts Summer Exhibition 2022. Review by Carla Scarano. ‘Climate’ is the theme of the Summer Exhibition 2022 at the Royal Academy of Arts, an unmissable event. The urgency of the climate crisis and global warming has inspired interesting and original pieces that sometimes explore and at other times defy and protest against such an important issue that is putting at risk our life on the planet.
By Carla Scarano • art, drawing, exhibitions, installations, painting, sculpture, textiles, year 2022 • Tags: art, Carla Scarano, drawing, exhibitions, installations, painting, sculpture, textiles