Poetry review – SUNDAY’S CHILD: Carla Scarano examines Rebecca Bilkau’s poetic narrative of a wounded childhood
Poetry review – GRIT: Pat Edwards is impressed by Emily Oldfield’s ability to take her readers with her into a rugged landscape
Anuther Glesca: a poetry review by Brian Docherty who takes a thorough look at the twists and turns of Owen Gallagher’s idiosyncratic collection Clydebuilt.
The Painted Bird. Review by Julia Pascal. Vaclav Marhoul’s film, based on Jerzy Kosincksi’s 1969 novel, is the episodic survival story of a Jewish boy whose parents have been deported by the Nazis.
Poetry review – CAMILLE COMES UNGLUED : Charles Rammelkamp reviews a character-based chapbook by Jennifer Lagier
Poetry review – SELF-PORTRAIT AS ORNITHOLOGIST: Thomas Ovans appreciates Karen Lloyd’s gift for describing and understanding the natural world
Poetry review – LET BATTLE COMMENCE: Norbert Hirschhorn reflects on Wendy Klein’s use of letters by one of her ancestors to make a poetic memoir of the American Civil War.
Poetry review – HOTEL: Julie Hogg finds promise in a first collection by Ali Lewis
Poetry review – MENAGERIE: Angela Topping enjoys a delightful illustrated chapbook by Cheryl Pearson
Poetry Review – VIVARIUM: the hidden violence of passing time, climate-change, history and the sense of self – Eret Talviste finds all this in Maarja Pärtna’s poetry
Towner, Eastbourne. Alan Davie and David Hockney: Early Works – plus other exhibitions. Review by Barbara Lewis.
By Barbara Lewis • art, drawing, exhibitions, painting, photography, sculpture, year 2020 • Tags: art, Barbara Lewis, drawing, exhibitions, painting