Any story-line involving a single woman is inherently more dramatic than a narrative of a single man because of biology’s cruel deadlines.
theatre
Damon Runyan’s short stories inspired what has become an iconic and much-loved Broadway musical and movie – Guys and Dolls.
This piece of theatre is inspired by La Maladie de la Mort, Marguerite Duras’ 1982 novella. The original text explored a homosexual’s purchase of a woman in a vain search for love.
Henrik Ibsen’s Peer Gynt defied theatre’s limitations with a vast cast, sprawling action and special effects.
Under Stewart Laing’s inspired direction, four permanently-glowing screens help to convey the bigoted characters of a charmless northern French village, where violence, shame, pride, racism and homophobia form the fabric of society.
In our blasé age, we may take for granted that a remote Yorkshire parsonage managed to produce three sisters who defied rigid Victorian convention to give voice to raw passions and sexual frustration no respectable woman was meant to feel.
This play is a picaresque adventure describing the life of Emilia Bassano Lanier. Emilia, born in 1569, was a direct contemporary of Shakespeare, and perhaps the inspiration of his Dark Lady of the Sonnets.
Ovid’s Metamorphoses comprise nearly 12,000 lines and over 250 myths that have inspired more modern writers as great as Shakespeare and Dante.
What do you do when life gives you lemons? Make lemonade is the wrong answer, says Elf Lyons, who is the product – and that’s not too economic a term – of father Gerard Lyons, former economic advisor to Boris Johnson, artist mother Annette Lyons and the Philippe Gaulier clown school on the outskirts of Paris.
This is Shakespeare light. Very light. Antic Disposition’s presentation of Shakespeare’s 1598 comedy is aimed at touring in South West France during the summer months when Paris empties and the French take to the countryside.
Writer, philosopher and English aristocrat Margaret Cavendish (1623-1673) was way ahead of her time and she knew it, writing: “I regard not so much the present but future ages”.
Tolstoy’s great, complex, genre-busting sprawl “War and Peace” is about many things, including Russian nationalism to the extent that when Hitler attacked the Soviet Union in 1941, Stalin reached for the work to promote a patriotic defence of the Motherland.
By Barbara Lewis • opera, theatre, year 2018 • Tags: Barbara Lewis, opera, theatre