HARTLEY COLERIDGE – GENIUS DISREGARDED. Jacob John Shale considers Andrew Keanie’s short study of the life and poetry of the eldest son of Samuel Taylor Coleridge
literature
THE FIRE OF JOY: Edmund Prestwich looks at a very personal poetry compilation by Clive James
Richard Caldwell surveys Andrew Keanie’s new study of Thomas De Quincey
Brontë’s angry classic, which has for decades fired up rebellious, ambitious girls and women, has found new resonance in our self-isolating times as the National Theatre at Home allows another frustrated generation to ponder its lot.
Social Solidarity and the Arts in Woke Times: Michael Crowley advocates against an ever-increasing subdivision of the arts into racial, age-related or gender groups for a similar audience
Rosie Johnston congratulates Paul McLoughlin for taking on the challenge of rendering these ancient poems in contemporary English
As a half French, half American individual, I give in to a pastime common to double nationals, which consists of regularly comparing both countries of origin.
Neil Curry fears that wit and breadth of imagination are becoming undervalued by contemporary poets
Stuart Henson decides that Jonathan Davidson’s “On Poetry” is a book for both writers and listeners. And academics might enjoy it too.
John Lucas reviews a genuinely interesting collection of essays by Jim Burns – and adds some equally interesting observations of his own
Roger Caldwell considers an impressively substantial volume of poems by Robert Desnos with translations by Timothy Adès
EURIPIDES: THE TROJAN WOMEN, A COMIC: Merryn Williams considers an unusual re-working of Euripides by Anne Carson & Rosanna Bruno
By Michael Bartholomew-Biggs • books, drawing, literature, poetry reviews, year 2021 • Tags: books, drawing, literature, Merryn Williams, poetry